CBGB's

Landlord Won't Renew Lease for CBGB Club
By LARRY McSHANE, Associated Press Writer

NEW YORK - As several hundred enthusiastic supporters rallied to keep CBGB's open, the landlord of the venerable punk club announced Wednesday that the lease on the 32-year-old landmark will not be renewed. The Bowery Residents' Committee, landlord of the building on the Bowery, "believes it is in the best interest of our clients — the homeless and neediest New Yorkers — to sever this relationship," BRC executive director Muzzy Rosenblatt said.

The existing lease was to expire at midnight Wednesday. The statement from Rosenblatt called for CBGB's to "vacate the premises both voluntarily and expeditiously" — a scenario that appeared unlikely, given the promises of Little Steven Van Zandt and others to wage a battle to the end on behalf of the bar that launched punk rock. "We're not going without a fight," said Van Zandt, who was joined at the rally by "Sopranos" co-stars Tony Sirico and Joe Pantoliano. "If the eviction proceedings start tomorrow, which I hope it doesn't, we'll fight it in the courts." - complete story


Deadline Looms for Famous New York Club
By LARRY McSHANE, Associated Press Writer

NEW YORK - Hilly Kristal opened CBGB's in December 1973, envisioning a home on the Bowery for country music. And then the punks took over. The Ramones. Blondie. Talking Heads. Television. They all launched their careers on the cramped stage at Kristal's low-maintenance club, which became the mid-1970s epicenter for a musical revolution and still rocks on three decades later.

But it may be time for the last (slam) dance at the storefront bar with its familiar white awning. The club's lease expires on Aug. 31; a longstanding rent dispute could persuade the landlord, the Bowery Residents' Committee, to shut down the venerable birthplace of punk and find a new tenant. - complete article

Judge Says CBGB's Can't Be Evicted
By ELIZABETH LeSURE, Associated Press Writer

NEW YORK - A civil court judge ruled Wednesday that the landmark punk club CBGB's can't be evicted from its Bowery location, saying it shouldn't be punished for not noticing it owed its landlord money. The ruling was a victory for the club where groups like the Ramones and Blondie defined the punk scene in the 1970s, but CBGB's future is still uncertain.

Its lease with the Bowery Residents' Committee expires on Aug. 31, and a renewal remains up in the air. The executive director of the Bowery Residents' Committee, Muzzy Rosenblatt, said he had not seen the ruling so he could not comment on it. "All we're looking for is a responsible tenant," he said of his group, which provides shelter for homeless people in the building that houses the club.

The dispute involved about $100,000 in rent increases, interest and fees. The club says the increases went unpaid for four years because of a bookkeeping mix-up. CBGB's said it wasn't billed for the increases, but Rosenblatt said the increases were clearly stated in the lease. CBGB's rent is $19,000 a month. - complete article

Young Pays Tribute to Nashville Country

By JOHN GEROME, Associated Press Writer

NASHVILLE, Tenn. - Neil Young stood on stage at the mother church of country music and wondered aloud what Hank Williams might think if he were to walk outside and see the gleaming new sports arena across the street. Such thoughts about change and the passage of time are central to Young's latest project, a rootsy, country-tinged record called "Prairie Wind" and a related concert film shot here this month over two nights at the storied Ryman Auditorium.

The performances were the 59-year-old singer-songwriter's first full-length shows since undergoing surgery for a brain aneurysm last spring and the first since the June death of his father, Canadian sportswriter and author Scott Young. Footage from the concerts will anchor the film, which is directed by Young's friend Jonathan Demme ("The Silence of the Lambs," "Philadelphia") and scheduled for release in February. The album is due out Sept. 27. complete article

Revisiting the Iguanas at Cafe Nine

This is my second trip to Cafe Nine in a week, having come down last Wednesday night to see Holly Golightly (however, Ms. Golightly was reportedly stuck in I95 traffic en route from NYC and I was too tired to wait for her). Johnny Gumbo and I stroll into the familiar little corner tavern and spot Mark wolfing down a piping bowl of chili at the bar. It is the first time I've seen Mark since NOLA, where Gumbo and I kicked his ass in pool, but Mark seems not to hold a grudge.

We are now adept at spotting celebrities (having spotted Teri Hatcher and Susan Sarandon at JazzFest) and we quickly find Bianca Jagger and a young Joan Crawford amongst the crowd. Mariano Rivera is blowing a game on one tv and the SOX are winning on another as we watch some Iguanas file in and begin the sound check.

The Iguanas (Rene Coman, bass; Derek Huston, tenor sax; Rod Hodges, vocals/guitar/accordian; Doug Garrison, drums; Joe Cabral, vocals/sax/guitar) are joined tonight by a Zappa-esque young trumpet player. Spokesman Hodges thanks us'all for coming out tonight and Cafe Nine for keeping the faith with live music and then they launch into an extended version of "Oye Isabel" from NUEVO BOOGALOO (1994):

Oye, Isabel, don't listen to the things your papa say
Oye, Isabel, don't listen to the things your papa say

Your daddy don't like me
I could tell from the very first day
Yeah but Isabel I want you
Gonna love you anyway
That's why I'm singing

Oye, Isabel, don't listen to the things your papa say
Oye, Isabel, don't listen to the things your papa say

Tu dices que es muy terco y tiene su
Opinion yo soy terco tambien
Y te compuse esta cancion
Para ti vidita mia

Oye, Isabel, don't listen to the things your papa say
Oye, Isabel, don't listen to the things your papa say

As you can see, some of the Iguanas' lyrics are in Spanish, who, like the French, have a different word for EVERYTHING! But not to worry, we all sing the Spanish verses like we know what we're doing, sort of like "...there's a bathroom on the right". And we're dynamite on the chorus. OYE, ISABEL! The trumpet player's solos are tasty, the crowd is singing and swaying, and Johnny Gumbo has worked his was up to the front of the stage and is dancing next to (against?) Bianca. Now, if they only play "My Girlfriend Is a Waitress" (also from Nuevo Boogaloo) this time. The set is packed with a nice mix of old favorites and material from their most recent Plastic Silver 9 Volt Heart.

I glance at Jack Kerouac up on the wall, guessing he's wondering how he's going to get residuals from the screen version of "On the Road" and I notice that it's almost midnight. The band has been coaxed up to do an encore (no, it's not 'Waitress"). We applaud our appreciation for a job well done, say our goodbyes and drift into the New Haven night. If you have not been there, please do check out Cafe Nine.....and The Iguanas.

Southside Johnny & the Asbury Jukes at the Milford Oyster Festival

Looking at Southside Johnny (John Lyon) having a blast up on stage, you can just imagine him playing the Jersey Shore bars on hot, sweaty summer nights in the late 60's/early 70's, trading licks with Springsteen and Clarence and Little Steven. And while 'The Boss' is busy making trillions playing the BIG stages and writing important songs about important issues in very important albums, Johnny is playing free shows at the Mohegan Sun's Wolf Den and the Milford Oyster Festival - and seems to be having a hellava time doing it. Lucky us!

I Don't want To Go Home is in my album collection, but I never play vinyl these days so Johnny has been relegated to the back of the line. But mention of him stirs fond memories of his R&B style, his cool duet with Ronny Spector on the Springsteen-penned "You Mean So Much to Me" and the other two hits - "Fever" (also written by Bruce) and the title cut.

After sitting through entertaining sets by Big Fuzz and Darik & the Funbags and browsing the arts/crafts/food/drink/talent, we were ready for some Jukes - and so was the rest of the sizable crowd at the Milford Athletic Complex softball outfield (bet you can't get that close to Mick and Keith at Fenway).

The back of Johnny's shirt is soaked with sweat and he hasn't even started! He's got the sunglasses working even though it is overcast and the bass player shows up after the first song. But First Bass is covered by 'some young guy', who is urged by Johnny to "take five bucks from petty cash" for his efforts as he exits to appreciative cheers. There's lots of Jukes to go around. Two saxes, trombone and trumpet make up a competent and very theatrical horn section. Love these guys! The lead guitar guy croons the backup vocals (and apparently gets all the babes). Rounding out the Jukes is the drummer (no solo, thank God!), a very good keyboardist and the late bass player. No Ronny Spector appearance, dammit. Oh yeah, and Johnny plays a pretty nice blues harmonica.

Johnny and the Jukes work their way through his catalog during the hour and a half show, leaving "I Don't Want To Go Home" until the end and closing with Sam Cooke's "Having a Party". And they seem to be having a party as much as their fans. The only negative is a beachball blitz near the end of the concert that smells of being staged; it gets distracting (and Johnny can't dribble the ball, though he tries again and again and....). Lose it, Johnny. But I nitpik, and Johnny promises to return next year and we're holding him to it.

A good day indeed. If only Ronny had stopped by. Oh well, maybe next year.
Messin' With the Blues

Rockabilly Riot, Vol. 1: A Tribute to Sun Records

Just bought this latest Brian Setzer project (along with Dressed in Black: A tribute to Johnny Cash). I know rockabilly is seen as old and out of touch, but a listen to this CD might change your opinion. How can you not like "Peroxide Blonde in a Hopped Up Model Ford"!

Setzer's Sun Records tribute strikes a chord by Melinda Newman - Much of Brian Setzer's music has been rooted in rockabilly, so it only makes sense that his latest album is a salute to Sun Records. But even he is surprised by the reaction it is receiving. "Rockabilly Riot! Vol. One: A Tribute to Sun Records" (Surfdog Records) was just released July 26 in the United States, but it has already landed in the top 20 in Finland and Germany. - complete article

All Music Guide review - The concept is stated in the title and the execution is about what you'd expect from one of the most popular rockabilly revivalists in contemporary music. It's not much of a stretch for Stray Cat Brian Setzer to take a break from writing his own rockabilly tunes that often sound like classic Sun material anyway, but by narrowing his focus roughly from 1954 to early 1957 and sticking with music produced by the king of country music record labels, he scores credibility points. The 23-track set is peppered with obvious choices like Carl Perkins' "Blue Suede Shoes" and "Boppin' the Blues" and Johnny Cash's "Get Rhythm," but dominated by more obscure fare from lesser-known acts such as Kenny Parchman, Ernie Barton, and Tommy Blake. - complete review

Rolling Stone Magazine review - Brian Setzer has been paying loving tribute to Sun Records since he formed the Stray Cats, so it's no surprise that the man can play rockabilly with panache. By ripping it up authentically on twenty-three highlights of Sun in the Fifties, Setzer has done the expected top-notch job of uncovering his own roots. Standouts include his winning takes on not only early rockin' standards like "Blue Suede Shoes" and "Get Rhythm" but also on more obscure gems like "Put Your Cat Clothes On" and "Peroxide Blonde (In a Hopped Up Model Ford)." Between his work on his Gretsch duo-jet guitar and his crack band, you may find yourself hoping he leaves that swing thing behind altogether. DAVID WILD

Some rockabilly links:
..some history
wanda jackson/rosie flores at cafe nine
Rockabilly Central
Rockabilly Hall of Fame
rockabillygirls.com

CMT 40 Greatest Road Songs

From CMT website.....No road trip is complete without a song blaring out the window, so CMT hits the highway and counts down the best cruisin' music of all time in CMT 40 Greatest Road Songs. Country hitmaker Dierks Bentley is at the wheel as host of this new two-hour CMT special.

CMT 40 Greatest Road Songs explores the romance of the open road with America's favorite touring tunes including Alan Jackson's "Drive," Keith Urban's "Where the Blacktop Ends," George Strait's "Amarillo by Morning" and Roger Miller's "King of the Road." CMT 40 Greatest Road Songs includes interviews with artists whose livelihoods are centered around life on the road including Urban, Rascal Flatts, Brooks & Dunn, Montgomery Gentry, Tanya Tucker, Blake Shelton, Julie Roberts, Glen Campbell, Radney Foster, Lee Ann Womack, Brad Cotter, Katrina Elam and the Mavericks' Robert Reynolds.

Talking about constant touring in the early days of her career, country dynamite Tucker says, "I remember sometimes my dad would let me drive our old bus. So boy I'd get up there and I'd be driving, just rocking along about 85 mph and pass these truckers, you know. Looking back I can't believe he [father] let me do it. I'd be driving along and I'd hear the truckers on the radio, because the CB was the big thing back then. They'd say, 'Breaker, breaker. Hey, did you see what just passed you?' And another trucker would come in and say, 'Did you see who just passed you!' I'd talk to the truckers -- it was a way of life."

1. On the Road Again - Willie Nelson
   
2. King of the Road - Roger Miller
   
3. Ramblin' Man - Allman Brothers Band
   
4. Take Me Home, Country Roads - John Denver
   
5. I've Been Everywhere - Johnny Cash
   
6. Route 66 - Asleep at the Wheel
   
7. Lost Highway - Hank Williams
   
8. Eighteen Wheels and a Dozen Roses - Kathy Mattea
   
9. Drive (For Daddy Gene) - Alan Jackson
   
10. Red Dirt Road - Brooks & Dunn - complete listing
    

Picture this: A touch of jazz

by Steven Scarpa, Record-Journal staff

MERIDEN — The third floor of 21-23 Colony St., a former office space just above Fischer's Fine Foods, is nothing but an open space — blank white walls, large open windows and unfinished hardwood floors, at least for now. But when businesswoman Floresia Allen takes you on a tour of the place, it is an exercise in imagination.

She asks you to see tables of seafood, hors d'oeuvres and desserts straight ahead as you walk into the room. To the immediate right, just around the corner, is a long oak bar. To the left, silhouetted against the bank of windows above the railroad tracks, will be a set of jazz musicians, playing to a group of people dancing on the floor right in front of them. Opposite them, a group of businesspeople will relax in comfortable couches overlooking the increasingly trafficked Colony Street. - complete article

JK comment: Jazz is a very tough business to sustain, but it can be done. The old 880 Club on Maple Avenue in Hartford lasted quite a few years because it cultivated a devout following and had ties to college jazz programs. Szechuan Tokyo, corner of South Main/New Britain Avenue in West Hartford, seems to be presently flourishing. Let us hope for the best; actually, hope isn't enough, we must patronize.

Special contest - guess Aretha Franklin's current weight

Caught a glimpse of the "Queen of Soul" at Luther Vandross' funeral and wondered.....(the guess must be to the closest 100 lbs)

200 lbs. (yeah, right)

300 lbs.

400 lbs.

500 lbs.

600 lbs.

700 lbs.

800 lbs.

900 lbs.

4-digit club

Please help Southington Town Council secrecy!

Music system proposed to block town hall eavesdropping

SOUTHINGTON, Conn. --Whether music soothes the savage beast may be put to the test in Southington Town Hall.

In an effort to protect against eavesdropping outside closed-door executive sessions, the Town Council decided to install a $1,200 sound system to pipe music into hallways outside Town Council chambers. The measure, however, was left in limbo when the finance board deadlocked on a 3-3 vote last week. Town officials were uncertain how the finance board's action would affect the town council's plan and were looking into the issue. - complete article...

YOU CAN HELP! Music suggestions for Southington, CT town hall eavesdropping:

I Am, I Said - Neil Diamond
"I am," I said
To no one there
An no one heard at all
Not even the chair
"I am," I cried
"I am," said I
And I am lost, and I can't even say why
Leavin' me lonely still

The Sound of Silence - Simon & Garfunkel

Silence Is Golden - The Tremeloes

Suspicion - Terry Stafford

Please help with more suggestions before our political system gets completely out in the open!!!!!! Heaven forbid!

Wanda Jackson/Rosie Flores at Cafe Nine

It's a day after George W. and I shared our 59th, so what the fuck am I doing out 10PM on Thursday night in this urban, bohemian Sam the Clam's waiting for the show to start! Cafe Nine is modestly full as I pay my twenty bucks and amble (yes, I amble) in, wedge myself into a spot halfway down the bar from the tiny stage, and order up a Guinness.

Johnny Gumbo and I discovered Rosie Flores on Labor Day past at the 2004 Rhythm and Roots Festival in Charleston, RI. They throw alot of music at you at those events, but her brand of rockabilly left me thinking I would like very much to see her in a smaller venue. Therefore, when I found the Rosie/Wanda Jackson date on the Cafe Nine schedule, I decided to make the effort. Gumbo had to opt out to care for Suzi, who is recovering from double knee replacement (hope everything is coming along smoothly, Suzzzzzzzz). The boys, JFK and GDK, were willing to accompany me as a birthday tribute, but I let them off the hook. Now, to try to look occupied for a half hour waiting for the show!

Rosie is up first, her cool/hot lead guitar playing backed by upright bass/keyboards/drums. According to AMG, "In 1995 Flores recorded Rockabilly Filly, a spirited tribute to the music she grew up with. The album featured duets with her longtime idols Wanda Jackson and Janis Martin, both of whom Flores brought out of retirement for the project. The album led to a cross-country tour with Jackson, who hadn't played in nightclubs in over 20 years." Her set was a thoroughly enjoyable mixture of rockabilly, blues and even a little tango thrown in. The Jon Voight-ish keyboard player was impressive both interacting with Rosie on the jams and taking his solos.

Good show. Break. I kinda wish I'm going home, but I owe it to myself to see someone about whom Elvis Costello, in an open letter, says "This is to propose that the Rock and Roll Hall of Fame finally nominates Wanda Jackson for induction. For heaven's sake, the whole thing risks ridicule and having the appearance of being a little boy's club unless it acknowledges the contribution of one of the first women of rock and roll." Ok, I'll stay.

I'm more curious than excited. Turns out that Rosie and the boys serve as backup for Wanda, who squeezes (she's a few years/carbs removed from those 50's pinup shots) onto the stage looking like the grandmother (perhaps great?) she probably is. Self-effacing and a little shy, she fiddles and chats until she's finally satisfied that everything is in place. Then, suddenly, Wanda turns into a growling cat as she jumps into her set with startlingly energy and impressively strong voice. I'm relieved that it isn't going to be a pitiful nostalgic act; the chick can still bring it. She introduces each song with a bit of history (Elvis Presley's One Night With You preceeded by a mention that she and Elvis toured together before he was a star and that they 'dated' for a year). Charming. I waited for the biggie and she finally did a rocking, if abbreviated, Let's Have a Party toward the end of her show. I'm going to pay for this tomorrow, but I'm glad I stayed for Wanda.

The concert was sponsored by Go Kat Go Radio, a show on WNHU (University of New Haven) "specializing in rockabilly and psychobilly" on Tuesdays from 8-10 PM. Some photos of Rosie from their website - Here

New Haven Advocate article

MSNBC Great Disc Debate

A wholly subjective look at the best, and worst, album by an artist or group

The Rolling Stones By Michael Ventre - Article
1. "Exile on Main Street" (1972)
2. "Let It Bleed" (1969)
3. "Get Yer Ya-Ya's Out" (1970)
4. "Sticky Fingers" (1971)
5. "Some Girls" (1978)

THE DUD: "Undercover" (1983)

Bruce Springsteen By Randy Abramson - Article
1. "Born to Run" (1975)
2. "The River" (1980)
3. "Darkness on the Edge of Town" (1978)
4. "Nebraska" (1982)
5. "The Rising" (2002)

THE DUD: "Human Touch" (1992)


Stevie Wonder By Tony Green - Article
1. "Innervisions" (1973)
2. "Songs in the Key of Life" (1976)
3. "Talking Book" (1972)
4. "Fulfillingness First Finale" (1974)
5. "Hotter Than July" (1980)

THE DUD: "Jungle Fever" (1991)

...and no one heard, not even the chair

I did not know that....

Lesley Gore officially comes out as a lesbian

Interview with Lesley Gore by Shauna Swartz, June 23, 2005

Former 60s teen idol Lesley Gore, who is best known for her classic songs "It's My Party (I'll Cry if I Want To)" and "You Don't Own Me," talks to us about her career, her new album, and why she hasn't officially come out as a lesbian (until now).

AfterEllen.com: So, you’re about to tour with your new album, beginning in New York--is that right?
Lesley Gore: Yes. We’re concentrating on New York during the summer…kind of trying to sneak it out in New York over the summer and then on a more national level come September. The release date is June 28th and our first performance is at Joe’s Pub. New York is where I live.

AE: Do you live alone--besides with your dog [which appears in a photo with her on the In the Life website]?
LG: I have a partner of 23 years and I have a cocker spaniel who turned two--what’s today?--she turned two on Friday, June 4th. Little Billie, named after Billie Holiday, one of my favorite singers. And I thought, you know, a little gender confusion makes a better person. A little adversity in life at an early age. It’s character building. - complete interview...

Albums purchased at Integrity 'N Music after seminar on Advanced Construction Accounting while killing time awaiting JFK's arrival at Union Place

Ellen McIlwaine - Up From the Skies: The Polydor Years	Jane Monheit - Live at the Rainbow Room	Doug Sahm and the Sir Douglas Quintet - She's About a Mover (the crazy cajun recordings)
Abbey Lincoln - Who Used to Dance	Angela Strehli - Deja Blue

Father's Day CDs from the boys

Lucinda Williams Lucinda Williams - Keith Anderson has said this is his favorite LW album and I find it hard to disagree with his assessment. A bunch of these songs were covered by other artists (The Night's Too Long by Patty Loveless; Abandoned by Linda Thompson; Changed the Locks by Tom Petty; Passionate Kisses by Mary Chapin Carpenter; Crescent City by Emmylou Harris). Replaces my burned copy and adds some cool bonus live cuts! By the way, look for Lucinda to perform on David Letterman on August 3rd.
Drive-by Truckers The Dirty South - Fader Magazine says of this disc "...heavy and beautiful and frightening and intelligent, but as usual it doesn't shy away from big, mean, stomping, anger-liquor-inspired rock and roll either." Kay McGowan introduced the Kennedys to DBT a couple years ago and we are big fans.
Dave Matthews Band Stand Up - AMG review... My first DMB CD; 'til now I've just heard the 'hits' and liked them alot. OK, I miss a few along the way.

They'll remember that day in June ... when the star was right at Hanover

By Alyson Heller, Record-Journal staff

MERIDEN — Grandparents are usually stars to their grandchildren. However, not many of those grandchildren can say they saw their fellow classmates line up for their grandfather's autograph, as was the case for Savannah and Brandon Parris on Thursday afternoon.

The reason for the autograph line was that their grandfather, Fred Parris, best known for the hit "In the Still of the Night," which he recorded with his singing group, The Five Satins, was a special guest at Hanover School. He spoke about his music career to Brandon's second-grade class, taught by Joan Boucher, and Savannah's third-grade class, taught by Mary Jo Verselli. Complete story...

New music in the house

Latest discs to hit the Kennedy household:

Van Morrison Magic Time - AMG review (up) - Hartford Courant review (down)

My kids' spin on Van is that "Moondance" was his best and he hasn't done anything close to that since. I, a HUGE Van lover, disagree, but my first listen to "Magic Time" makes me wish for more of the pop flavor of Moondance. It's not that the new songs are bad. In fact, most are quite good; but there is becoming a sameness to the delivery and the tempo that robs them of any sense of uniqueness. Still love ya, Van.

Lucinda Williams Live at the FillmoreAMG review

I was skeptical of a 'live' Lucinda, primarily because her stage persona is as much visual as auditory. Perhaps I'm biased (no, I AM biased), but this CD really kicks ass. Her voice gives a harsher texture to each song, a different feel than the album versions; not better, not worse, REALLY good.; crank it up and enjoy!

the subdudes Annunciation AMG review

Picked this one up in NOLA;

Jonathan Richman not so much to be loved as to love AMG review

What can I say, I love the guy! Includes a remake of "Vincent Van Gogh" (he loved his colors and he let it show). Would love a rocker cut on here (circa "Roadrunner"), but I'm being picky.

White Stripes Get Behind Me Satan AMG review

GDK gives this a thumbs up, JFK a thumbs down.

Black-eyed and Blues Fest at Bushnell Park with Johnny Gumbo

It was the 3rd of June, another sleepy, dusty Delta day.... - lyrics - discussion

Attended the free Black-eyed and Blues Fest at Bushnell Park on Thursday evening with Johnny Gumbo. Beforehand, I was able to score a few new Johnny Gumbo tee-shirts at Best Image on Center Street and I must say they are pretty damn spiffy.

Red Hook Ale and a container of jambalaya gets us started.

EC Scott, a BIG 'ol woman and Black Buck recording artist from Oakland, was the first of two acts we caught. High energy, much in the 'mold' of Marva Wright. Very entertaining, backed by her tight, well-attired band 'SMOKE', although I could do without some of the "Let me hear how many out there....yada, yada, yada...." Finished with James Brown's "Try Me", which yours truly called minutes before as EC droned on with her intro (an excellent call).

Tutu Jones from South Dallas and Sherman Robertson from Houston played in the same set, but not together. Tutu was a little full of Tutu. This format was distracting (but not as distracting as the COLD wind that brought temperatures to near 30 degrees!!) and strange. Altogether, the music was ok, but merely ok.

Finished up with a cold one at the real Blackeyed Sally's and a 'fresh' pie at Papa's with TM and escort/dancer/political pundit Kim.

Wall of Hair

Phil, what ARE you thinking?
Love the pocket square, though.

Turns out Strawberry Fields not forever

By Matthew Jones
A British children's home immortalized in the Beatles hit "Strawberry Fields Forever" closes Tuesday after 69 years of looking after Liverpool's disadvantaged youngsters. The Salvation Army said all the children had left the Strawberry Field home and childcare provision at the Beaconsfield Road site ended today.

No decision has been made on the fate of the home or its iconic wrought iron gates that became well-known to thousands of Beatles fans after the song was released in 1967. - Complete story...

Aidan Iverson wants to know

Hi, It is Aidan. I like almost all classic rock bands. What are some good classic rock bands? What are 20 of your favorite bands(classic rock)?

johnnyk's response: Let's see, I cringe at the term "classic rock" with its greatest hits connotation, and I am going to include individuals as well as bands, but here goes (in no particular order and subject to change as I remember more bands):

Creedence Clearwater Revival- Cosmo's Factory is a truly great album and John Fogerty has one of rock's most distinctive voices. Allman Brothers Band- best of the southern rockers; forget Lynyrd Skynyrd, these guys played great blues with rock melodies (until they started abusing themselves and marrying Cher). Little Feat- the early stuff with Lowell George i.e. Dixie Chicken and Feat Don't Fail Me Now The Who- sometimes played 'third fiddle' to the Beatles and Stones, but they were brash and creative. Steeley Dan- I liked the first three albums best, before they became strictly a studio project (but even those albums were good); clever lyrics and catchy hooks. Crosby, Stills, Nash & (sometimes) Young- Velvet Underground- I may be straying from 'classic' since they were not very popular, but a very influential band. Try their first- The Velvet Underground and Nico. Bruce Springsteen- early Bruce was priceless; Greetings From Asbury Park, The Wild, the Innocent and the E Street Shuffle, Born to Run were fresh and edgy, not the plodding, serious stuff he does now. The Clash- (ask your father) Meatloaf- I KNOW, he's become a joke, but I swear Bat Out of Hell is one of my absolute favorite albums of all time! Every song is a gem (and Phil Rizzuto won a Grammy for his narrative on Dashboard Light even though he didn't know the subject matter of the song). Sly & the Family Stone- strange, funky and oh so catchy music; dance to the funky music! The Young Rascals- Long Island boys stealing soul songs and making them their own. Mitch Ryder and the Detroit Wheels- nothing fancy (and that's good!) with energy to burn; Good Golly, Miss Molly/Devil With a Blue Dress On Stevie Wonder- The Band- started as The Hawks and backed up Dylan, but put out very interesting music on their own; Music From Big Pink, Rock of Ages and the concert movie The Last Waltz Bob Dylan- I wasn't going to mention him because he's a given like Elvis, Beatles and Stones, but I think he's overlooked as a rocker. Highway 61 Revisited, Blond on Blond The Animals- most blues-influenced of the British Invasion bands; lead singer Eric Burdon is still hanging around the circuit; his stuff with War was very good also. Roy Orbison- how can such a geeky-looking guy sing like that! Great voice and great songs, but I couldn't tell you a particular album; try his greatest hits. Fats Domino- maybe he pre-dates 'classic', but you should check him out. Bonnie Raitt- I've seen her a dozen times in concert. She made some really great music from 1971 to mid-80's that were never hits, but finally became pop enough to be a big star. I don't blame her, even if her songs get a little boring sometimes now. Comments?

Beach Boys Site Now a Calif. Landmark

By RYAN PEARSON, Associated Press Writer

HAWTHORNE, Calif. - Hundreds of fans and three Beach Boys gathered Friday to unveil a state historical landmark at the site of the home of the legendary band's founding brothers — demolished in the mid-1980s to make way for a freeway.

"A wonderful monument, isn't it?" laughed Al Jardine, holding his palms upward toward the tree-lined Interstate 105 embankment and sound wall. "Progress. Can't stop progress." complete article...

Johnny K goes to the 2005 New Orlean Jazz & Heritage Festival

New Orleans Jazz Festival Poster 2005: The Birth of Jazz by Bill Hemmerling.

After months of procrastinating, I have decided to go. JR has been urging me to go for awhile now, saying that I would REALLY appreciate the amount/quality/diversity of the music, both at the Festival itself and at the downtown clubs each evening (and into the early morning), but I've been reluctant to splurge on myself. The Reet, a rabid New Orleans promoter since her trip to the 2004 'Final Fur', has been pushing for me to go. So, when I won about $350 at a weekly Rotary card raffle (ten of spades), I rationalized that I wasn't spending 'family' cash. Immediately called TK, who graciously gave me some of his millions of air miles to use. Follow Johnny K's jazzfestblog here...

Festival Website- Check out the lineup.
Grids for Nightime Entertainment

gmanthesis

I arrived at Manhattanville College with an optimistic mind, free to learn and meet new people - possibly become interested in more music. The first person I met was my freshman roommate Scotty G. We had similarities, both 5'10 white dudes that listened to mostly rap. We shared a couple brewskies one night at the beginning of our first college semester, exchanging autobiographies. I had just started listening to Jonathan Richman so decided to put him on. Scott had never heard of him, but I soon realized he was the subject of one of Richman's songs. There was a knock at our door. We hid our alcoholic beverages quickly and turned down "Dancing at the Lesbian Bar", a Jonathan Richman classic. It was our Residence Director telling us there were complaints about loud music. He searched our room to find beer cans. We got written up and were put on probation for underage drinking. We can thank Richman for that. Our IDs said we were 21, but Manhattanville campus safety did not buy the 21-year-old freshmen idea. After that night, the conversation between Scott and me stagnated and soon vanished. Communication between us roommates was limited to a head nod, an occasional hello or what's up. This called for some Jonathan Richman again, track number 3, You Can't Talk to the Dude, from his album I, Jonathan. The 'dude' refers to Scott and Richman is telling me that I can't talk to him - yeah, no kidding, Jonathan!

You wonder why you're feeling blue,
And you live with a guy that you can't talk to.
You can't talk to the dude
And that's no longer in style,
You can't talk to the dude
No this "No es normal."
You can't talk to the dude
And things will never be right
Until you go.

Final draft - here...

Seen and Heard at SXSW: a Wide Range of Standouts

By Melinda Newman

LOS ANGELES (Billboard) - While most A&R execs say discovering a new act while trolling the clubs at South by Southwest Music Festival and Conference is rare, the Austin event does provide an excellent opportunity to check out bands that are already in their sights -- especially international artists. - story...

Obscure 60's CT Band- Yesterday's Children

I found this CD available on Scratch Records (Canada) and ordered it. Just got it today. I'll let you know how I like it.

AMG Review - This elegant CD reissues the sole album by this obscure Connecticut group who recorded this one LP and a classic psychedelic garage punk single which appears on the Psychedelic Unknowns compilation. While the debut single was classic beat garage of the period 1966, by the 1969 album the group expanded into more hard rock and progressive styles — and this album is drenched in the lead guitar blitz of Reggie Wright. The group was led by brothers Denis Croce on guitar and Richard Croce on vocals, and Chuck Maher and Ralph Muscatelli on bass and drums. The group is not to be confused with a Chicago-area group of the same name and era who appeared on the Pebbles box set. The reissue on Italian obscure specialist label Akarma is a stunning object to behold and an audiophile remaster of this underground classic.

More from Jim Kane- Bristol's rock 'n roll guru: A Bristol guy's experience- Jim Kane

Last Saturday night, I was a master of ceremonies for an oldies concert at Club Med in PortSt. Lucie, FL. The headliners were Frankie Ford (Sea Cruise), The Crystals (Doo Run Run , etc.)., Sonny Turner of The Platters (My Prayer, etc.), and Little Peggy March (I will follow him). By the way Peggys not little anymore. Bauser Bauman's band - Rocky & the Rollers was the band for the evening.

Turned out that the show was a sellout. White haired old farts were everywhere. The grecian formula guy could have retired selling his grease paint at this concert. Right from the git go, when I took the stage to do the opening procedures, you could sense that something special was going to happen. (Must have been the "spiked" Geritol they were serving).

Short and simple.... The house rocked for "4" straight hours. I couldn't believe the reaction of the crowd, and the artists got pluged in, and it was just like 1964 all ov! er again. What a magic night!!!!

Now, why am I telling you this story? Because just think about today's concerts and entertainment. What concert is aimed at what you like. Ever look at MTV - looks like hookers and gangsters have taken over TV. SO.....when an oldies concert is scheduled to play in your area - get up off your ass and buy some tickets. Get plenty of sleep the night before. Take an extra vitamin, and get ready to have a great time. SUPPORT these great artists. You did in the 50s & 60s, and thats why they are still playing dates today. REMEMBER - you are the royalty of Rock N Roll , after all "YOU" started rock n roll. If you didn't buy the records and go to the dances back in the 60s, rock n roll would have faded away. Show your kids and grand kids that you still have some life in you. Put your hands together and get out in the aisles and dance to the music. Don't be ashamed.

Dee Dee Kennebrew (Original lead singer for The Crystals) Grabbed me when Frankie Ford started singing "Sea Cruise" and dragged me to the dance floor. Now I will slow dance, but dance to a fast song, I can't remember who was President the last time that happened. Wow dancing with one of the legends of Rcok N Roll - I'll never forget it.

This was in my top 5 - all time - rock concerts. So when they come to your area - go to the show - and say a big Thank You to the artist for giving you and all our friends so many hours of listening and dancing pleasure. I have one request - Would you please pass this on to someone who loves our music! Its up to us to keep this legacy rolling. Rock N Roll is here to stay - it will never die - and last Saturday night , those good people shot and buried the funeral director!!!!! Jim Kane

Classic John Ryan Album Released!

Horizons Records announced today they are at last re-issuing The Hope Song, John Ryan with Orchestra, the legendary cult classic which has been the jewel of many a record collection, sometimes fetching thousands of dollars as it passes hands on Ebay. The record, recorded live at the Brass Guitar in the mid-1990's, features Ryan singing pop and jazz standards in his unique, faux-lounge style which, at first blush, seems quite bland, but blows away the hipper-than-thou cafe society crowd. Backed by the understated Rodney Greaves' Love in a Diner Men's Room Orchestra, Ryan croons, swings, teases his way through classics like Tom Jones' What's New,Pussycat, Andy Williams' Moon River, Captain & Tenille's Do That To Me One More TimeI Am, I Said. and, of course, the incomparable Neil Diamond gem Not for everyone; are you hip enough?

Ben Harper and the Blind Boys of Alabama - There will Be a Light This is a wonderful album. A gospel feel throughout with touches of Al Green, Otis Redding and even a little doo-wop thrown in, the record just grows and grows on you with each listen. Favorite of the moment is the 3rd cut, "Where could I go." Love it!

johnnykmusic goes to the Grammys

grammys.com

Great seats, hey J Lo? I tell her I'm a big fan because I'm a wimp and don't want to have her mad sitting next to me all night. She says she's a BIG fan of johnnykmusic. I think she is. Shhhh, Lo, it's starting. Tony? Nice to meet you.

NBA theme song AGAIN! Gwen Stefani proves that the Grammys are indeed about RECORDED music. Jeez, have some nerve and sing live! I like the mixing of music to open the show. Not great, but fun. Queen is a torch singer now, which is okay, but she doesn't deserve this stage yet. Bet the real jazz divas are a little pissed. Can't get into Alicia Keyes, sorry, but Jamie Foxx is pretty amazing. I wish Jerry Lee Lewis would perform.

The southern rock tribute was a better idea than reality. Dicky Betts looks a little worn, don't you think? Elvin Bishop not as boyish as the album cover I remember. I told J Lo she looked, i mean sounded great. Oh, Anthony was Tony's LAST name! My bad, Lo.

Janis Joplin tribute coming up. I'm a little gun-shy about seeing James Brown; I'm not so sure he feels good, like he knew that he would. Then a Ray Charles tribute. I wish they would pick people who are still alive and tribute them - bet they wish it too. Not too many awards being given. Bonnie Raitt is being shown alot for something; bet it's Ray.

I love gospel. Staples Singers. Blind Boys of Alabama. Check out their CD with Ben Harper. GREAT RECORD! Kanye West pulled it together pretty well. Hey, one of my CD's won! Loretta Lynne won for her album Van Lear Rose with the White Stripes' Jack White. Cute little interplay between the two while accepting the Grammy.

I liked the Janis Joplin tribute, it had some energy, even though I'm still wondering if Joss Stone is the real deal; tough to separate the hype. Two nice performances if you can keep from focusing on Melissa's doo. Looks cool. Hope she's doing ok. Although for a good cause, 'Across the Universe' sounded lame. I think I like John Mayer, who sounds like a cross between James Taylor and Dave Matthews. Looks like he went to Choate. Did he?

Thank God, The Godfather of Soul didn't try to do too much. Very nice Bonnie Raitt with tasty slide guitar. Makes one yearn for the old Bonnie, but she's paid her dues and her pop CD's sell.

Well, it's a wrap. Afterparties to attend. Gotta go. Oh yeah, Lo, lunch? Mos def!

Fat Tuesday at Anthony Jack's

Jambalaya, a spicy concoction of rice with crawfish, chicken, ham and sausage, together with a glass of Greg Norman Shiraz, was just one of the gastronomical delights awaiting the Fat Tuesday revelers on Bourbon Street in Southington. Good evening, welcome to Mardi Gras! More...

Fat Tuesday story and pictures:
Story/Pics 1
Pics 2
Pics 3
Pics 4


Jazz 'N Ribs...
New Orleans R&B...

Super Bowl Music Matchup

To offset the inevitably DREADFUL halftime music production (can't we just bring back THE Ohio State University marching band doing Script Ohio?), we'll have an alternative music event:
WHO HAS THE BETTER MUSIC -
Philadelphia Eagles or New England Patriots?

Go here...

The Iguanas

I received an email from JR inviting me to see The Iguanas on Sunday January 30 at a tiny bar in New Haven called Cafe Nine . I'M IN!!!! Guess I'll have to dust off their two old CD's and play them. I'll keep you posted. Nuevo Boogaloo!

Lots of miles on this group packed sardine-like into Cafe Nine Sunday evening for this hard-to-believe booking. Cafe Nine is long, narrow, quite small, located at the corner of State Street and Another Street with entrances at the State Street front end next to the stage/dartboard area and on the side, back near the (surprisingly clean)restrooms; bar along the inside wall from the front of the stage and tables along the outside wall and next to each of the wooden columns that line the center.

Doors opened at six for the seven o'clock show. No one there at six 'cept a few regulars so we got ourselves a column table about 30 feet from the stage. Nothing to do until tipoff, we look around. Neighborhood tavern. They go for the Bohemian thing here and don't have to work hard to pull it off. Everything kind of beat up, but the feel is very cool. JR came here a couple weeks ago and took in a poetry slam. Kerouac stares from the wall above the bar, next to a case of Hull's sitting atop a liquor shelf. They have an eclectic mix of entertainment, some Saturday afternoon jazz gives way to a traveling blues legend in the evening. Mental note to bring the gang down here some Saturday afternoon before going out to dinner.

I am confused, wondering if my sense of the Iguanas' stature is skewed. There should have been a long line waiting to get in! But by the second round of beers, I find my fears are unfounded. The crowd filters in. Mature, weathered, friendly, commonly-bound as ones in on the secret. By seven the place is packed.

The bandmembers are squeezing their way to the stage from somewhere in the back. I pass them on my way to the (surprisingly clean) restroom. A comment to not start until I get back gets a half-smirk. A few minutes of fiddling around with stuff and let's go!

Up on stage, the lineup shuffles into place: two grizzled veterans to the right share the singing, one playing guitar/accordian (if I only knew way back when how cool I could be with my squeezebox!), the other guitar/sax; two younger sax players to the left, the shorter one employing the Buddy Holly look, we would soon be told, is a special guest; rounding out the group is the rhythm section, bass and drums, who are mostly out of our view most of the time.

I own Neuvo Boogaloo and Sugar Town, so I recognize a reasonable chunk of the music. The crowd knows more of it, JR a bit less, but everyone is into it. At times we get a THREE sax thing going, which sounds like it would be redundant, but it works really well.

He drew tatoos for his friends
They'd sit around and get real stoned
And he fought with guys twice his size
So he wouldn't feel so alone
Angel
They said it was a shame
Angel
They loved him just the same
Angel
They shut him out
They said you had a mean streak in your heart

The show lasts for about an hour and a half, closing with a one song encore. Buddy Holly has been very good- who IS he? Lots of sax and accordion sounds bouncing off the walls. As good as advertised. Nice night in New Haven. A quick final stop at the (surprisingly clean) restroom and we're on our way home. JR pops Nuevo Boogaloo into the CD player...

He walked the street to the corner liquor store
Got some ciagarettes and wine and he backed out the door
It didn't work out quite like he thought it would
Now he's back page news down in the neighborhood

And it's boom boom boom
Boom boom boom
Boom boom all night long
Boom boom boom
Boom boom boom
Boom boom all night long

Alas, they didn't play 'My Girlfriend is a Waitress'!

Awaiting Peter M's report after he sees them at Johnny D's Wednesday (2/2/05) in Cambridge.
Update from PM: Show was fun. We ate, drank, danced, had fun. The extra sax player, Chris, is a guy who went to junior high with Derek, plays in bands in DC. They put on a good show, played two sets, but it started at 830....As usual, the place was full...less than on a thursday or friday, but still full.....seemed like everybody there were fans...Johnny D's gets good people......Johnny D's

Hartford Courant review

2005 Concert To-Do List A listing of artists I would like to see in 2005 (in no particular order)

Lucinda Williams- I saw her at Newport Folk Festival in 2004 and at Toad's Place in 2003. I want to see her again...and again

The Iguanas- Tonight (1/30/05) at Cafe Nine in New Haven.

Lou Ann Barton- It will never happen, but because she never tours, but I can wish. I'd settle for Marcia Ball.

Jon Cleary and the Absolute Monster Gentlemen- Saw him open for Bonnie Raitt at Oakdale a couple years ago and loved him. He was slated for a gig in Greenwich last fall, but cancelled. Can catch him in Northampton, MA on March 9th tour schedule

Van Morrison- Any time, any place. Enough said. Drat to all who are picky about his impersonal stage habits. He's The Man!

Bob Dylan- Renewed interest in Dylan. He is touring in 2005 as "The Bob Dylan Show" with his band (not Band) together with Merl Haggard and the Strangers. But would rather it be a smaller venue.

Traffic drummer, Jim Capaldi, dies at 60

Rock drummer Jim Capaldi, whose driving rock rhythms helped make Traffic a household name in the 1960s and 70s, died Friday after a brief fight with stomach cancer, his publicist said. More...

Cat Stevens, U.S. security threat, to perform for tsunami aid

The singer formerly known as Cat Stevens will headline a concert in Indonesia for victims of the Asian tsunami, said a statement posted on his Web site Thursday.

Yusuf Islam — who is barred from the United States because terror intelligence identifies him as a security threat — also plans to open an Indonesian branch of his charity, Small Kindness. More...

From Jim Kane, Bristol's oldies guru (now living in FL)

Hi Guys:

As most of you know, there will be a party at the end of June in Bristol. We have been asked to have music at the party for dancing or just singing along (I hope its only for dancing). So I will ask for your imput.

I am going to record music for the party, from the era from 1955-1964. I would ask you to send me "10" of your favorite songs from that era. I will try to record as many of your favorites as possible. Since they will be played at the party, and since you will be there, you might as well hear something you like. I have a collection of over 3000 45s - so there is a pretty good chance your favorites will be there. Any song request before 1955 or after 1964 will be omitted. Since many of you are going to endure a snowstorm, this is a chance to pull out the old records and pick out your favorites.

Now you don't have to do this, but be prepared to listen to other peoples favorites. Try! to get the songs you heard at the Boys Club dances. Have fun !!! Jim EMAIL

johnnyk pics:

At Last by Etta James

She's Sixteen, She's Beautiful and She's Mine by Johnny Burnette

Please Mr. Postman by the Marvelettes

Palisades Park by Freddie (Boom Boom) Cannon

The Wanderer by Dion

School Days by Chuck Berry

Shop Around by the Miracles

Chain Gang by Sam Cooke

I Get Around by the Beach Boys

Long Tall Sally by Little Richard

Kool lists

Courtesy of Steve Parsons - XM Radio's “The Essential 5002” songs in alphabetical order from Little Feat's Apolitical Blues to Dr. John's Zuzu Man.

Top 100 Philly albums of all time - 100. Tommy Conwell, Rumble- It's true: He and the Young Rumblers were the king of all bar bands, and that would hurt any rocker's credibility. But Tommy Conwell and the Young Rumblers were truly beloved in the '80s, mostly because this University of Delaware grad had a strong sense of what worked for the live crowd.

Tower Records 100 Essential Rock 'N Roll Albums - While shopping at the only Tower Records store in CT (with gift cards from Christmas 2003), I happened upon a pretty cool flyer, Tower Records 100 Essential Rock 'N Roll Albums listing.

What's hitting my ears this week

The Delivery Man by Elvis Costello

- his latest; not an easy listen at first, a country album, bought it over a month ago and just started listening again. I like it more and more (after the first cut). Duets with Lucinda Williams and Emmylou Harris. The man has taste in women. A listen in progress. More about EC...

Pin Your Spin by Jon Cleary & the Absolute Monster Gentlemen

New Orleans funk. First saw Cleary as the opening act/keyboardist for Bonnie Raitt and loved his act (actually better than the now mainstream-popular Bonnie, whose music has taken a sappy turn). The groove is the thing here and Jon 'spins' a deep, funky one. Nothing really memorable, but the experience leaves you feelin' goooood. Jon Cleary's 2005 tour dates (March 9th at the Iron Horse Inn in Northampton, MA) Here...

Tom Rush

Steve called today. Tom Rush will be in concert at Cheney Hall in Manchester (CT) on Saturday, February 12th and would I be interested? Hmmmm, he's still alive? Steve and I have seen a few together in our day - Bonnie Raitt at Toad's in her "Green Light" period and, in one of the strangest concerts ever, paired with Broadway legend father, John, at Oakdale; Jesse Colin Young at Toad's, Jonathan Edwards at Shaboo and Lake Compounce Ballroom come to mind) - but not for awhile.

So, Tom Rush! Boston-based, as I remember. Well respected folkie. Pretty good, but I never had one of his albums, never saw him in concert, unless he was part of a folk show at the Thomaston Opera House in the late 1970's. Can't remember. A quick look online shows he's touring to support his new CD "Trolling for Owls", a live recording. Got to listen to some of his stuff.

Some underrated CDs for your consideration

The Last Real Texas Blues Band featuring Doug Sahm	I discovered this in the used cd bin at Strawberries. I LOVE this album! "What Mac (Dr. John) is to New Orleans, Doug is to Texas. From Western swing to Lightnin' Hopkins' Houston blues, from TexMex ditties to polkas, Doug integrated it all and came out with something singular; his own sound on guitar, his own voice, his own songs. I also loved the irony of his calling his great sixties group The Sir Douglas Quintet, the Texan passing as a Brit to entice American ears. I was proud to produce his album, documenting Sahm's soul, embracing everything from T-Bone Walker to Bob Wills." - Jerry Wexler
Don't Give Up on Me - Solomon Burke	Saw him open for Van Morrison. Enormous and wildly entertaining. He was a minor star in the sixties, but forgotten for many years. Very well respected among his peers and his career is reborn with this cd, which was album of the year on many lists when released in 2002.
Julie Roberts - Julie Roberts	Thanks to Chris Dubose for the heads up on this one. Country with a nice blues accent. Catchy without the dreadful Nashville sappy/slick feeling. Give it a listen, I think you'll like her. Alot.
Katie Melua - Call Off the Search	Be careful about this one. You may hate yourself for listening to it - again and again, until you get that "I've eaten WAY too much candy" feeling. But this candy is good stuff. London-based by way of Soviet Georgia and Belfast, Katie Melua has been dubbed another Norah Jones, but she feels more jazz/blues than Jones' country blues. And, dare I mention, strings, too! She's been a BIG deal in the UK this past year. Go ahead, have another piece, just ONE more.

HAPPY NEW YEAR!!!!!!!!!!!

Tower Records 100 Essential Rock 'N Roll Albums

While shopping at the only Tower Records store in CT (with gift cards from Christmas 2003), I happened upon a pretty cool flyer, Tower Records 100 Essential Rock 'N Roll Albums listing. The flyer featured the album cover and a brief editorial comment for each of the 100 selected albums.


Intrigued, I have set up a web page of the list and ask for comments and your additions. Please participate here.

A Night at Black-eyed Sally's

Black-eyed Sally's BBQ & Blues Christ, it took so long to get here. What should have been a quick twenty-minute trip east on Interstate 84 to Hartford took about ten years. Oh, we talk about coming here all the time, but, as I've come to realize, I'm all talk and no action (well, for the present, let's leave my sex life out of this!). I love this place! Live blues, spicy Cajun food and short-skirted, big-busted, not-quite-ready-for-primetime patrons flaunting their personalities on the dance floor- what's not to like?

We have reservations for six. Reet got them, has some, but agrees to humor me. I feel the pressure to have the others like the experience since I've been touting it for SO long (You know, we REALLY should go to Black-eyed Sally's sometime. Yeah, sounds great. Next week? Right.).

We arrive. Big line outside, but we find it's for upstairs. Pig's Eye Pub. The young, on-the-make crowd. The older, already-made crowd enters over here, folks. Twenty-six dollar cover because there is a show. Reet insists we get a break with the dinner reservations and the biker-as-doorman finally agrees. Inside is dimly-lit, crowded, noisy, rambling. Great atmosphere. Big horseshoe (well, actually a 'J') bar where we get beers and kaluha sombreros while standing waiting for our table. Jackpot! We turn down an out-of-the-way table and wind up next to the stage, a location that doesn't say 'jackpot' to everyone in our party, but we're here for the blues, man!

Dinner is no pressure. You can't possibly have all six people like this stuff anyway, so why worry. I will like it; the jambalaya looks good. Keith will like it, love it if it beats him up a bit. Once, in response to a Thai waiter's caution that 'very hot' would be akin to gastronomic hari-kari, he urged the clearly amused young man to "bring it on!" The chef was apparently up for this feisty duel and nearly gave our hero a heart attack, and in doing so earned Keith's everlasting respect. Reet dislikes most exotic foods, but likes ribs and orders same. Sharon will like it, I think, for she is a pretty adventuresome diner. Sharie goes for a variety of appetizers. I can't make the call on Vin and Marcia - too little dining history.

Our timing is impeccable; the band starts fussing around the nearby bandstand as we reorder drinks and people-watch, a very interesting pastime in this joint. Our discussion (and that of most of the surrounding tables) centers around the aforementioned babe with legs up to here and a skirt almost down to meet them. Is she late 20s/early 30s, are they real/surreal, is she a wife/girlfriend/stripper/hooker (or possibly a combination thereof), she is with him/them/no one? Inquiring minds must know! In any event, her rubbing up against them as they stand at the bar yields few answers, but much entertainment. A dishevelled young man, who will later attempt an unauthorized drum solo during intermission, hits on our girl and is brushed off as unworthy. A shriek of laughter from the table of women behind us reminds us that a birthday celebration (the cake, candles and bad-singing waitstaff are a dead giveaway) is in session. Dykes night out, someone observes insensitively, noting that they've been dancing together often, not that there is anything wrong with that.

"Ladies and Gentlemen, please give a warm welcome to the George Boone Blues Band!" George Boone, dapper in suit and tie and seated on a tall stool, launches into an elongated blues instrumental that showcases his impressive guitar licks. Backed by his bandmates, the smirking Scotty Pippin lookalike bassist Raoul Bowman and drummer Mark McKay, Boone served up (cool jazz reviewer lingo for played) some very tasty licks and I received an approving nod from my tablemates. Dinner was served. Damn, jambalaya, a nice Bass ale, delicious cornbread and the George Boone Blues Band - it can't get much better than this! A glance to the right at our girlfriend grinding to the music says momentarily that there is an outside chance that it can, but who's to say, certainly not me! George is smokin'.

Conversation is out of the question at this point, but I'm loving this. Dancers infiltrate the dance floor and offer up yet another entertainment center. Head-bobbing, Elaine Benes-type dancing is fascinating to observe. And THEY are having fun, not caring what the too-timid crowd thinks. The music is loud as hell (despite my Catholic-school upbringing, I'm not convinced of the existence of Hell, but that discussion really has no place here). It's into the second set and we are fading fast. Reet's ribs were too spicy and Dave/Marcia were not crazy about the food, but George was a hit, I'd say. Our girlfriend leaves, I forget with whom, but suddenly we are entertained by a group of 40's-type dancers, in full costume, dancing the jitterbug REALLY well. Very cool.

But it is time to go, for we are all 50's something. A hesitation on the way out to listen to George doing some Motown covers (very tasty stuff, too). Good night, let's do this again. We really should. Right.

ctnow.com review

Jim Kane's Bristol (CT) Rock 'N Roll

Jim Kane is Bristol's Music Man. A product of Bristol Eastern HS (class of 1964), Jim was a basketball/baseball star (I played both against him as a St. Anthony's HS Crusader and with him on the 1962 Bristol American Legion CT state championship baseball team)and music aficionado. His love of that era's music is legendary and fiercely loyal (his comment in the Tower 100 guestbook leaves no doubt about where he stands). He is a musician who has played in rock 'n roll bands and has produced a number of concerts, forging friendships with many of the rock greats.

Now living in Port St. Lucie, FL, Jim, in partnership with Heffernan-Roy Records, has produced a series of 50's/60's/70's compilation CDs that feature Jim as the DJ weaving Bristol banter between cuts (yours truly is mentioned several times, but do not let that detract from the quality of the product).

The following is the complete catalog: 1.Bristol Twistin' Annie 2.Bristol's Great Love Songs 3.Bristol's Rock 'N Roll Revival 4.Bristol's American Music 5.Bristol Beach Music 6.Rock 'N Roll Is Here to Stay 7.Bristol Dreams 8.Bristol's Love Train 9.At the Hop 10.Bristol School Days

11.Bristol Friends 12.Bristol's Rockin' Christmas 13.Old Time Rock N Roll 14.Young Ladies of Rock N Roll 15.The British Invasion 16.Boys Club Dances 17.The Night the Music Died 18.Bristol Party Time 19.Moments to Remember 20.Bristol's Last Dance 21.Susie Q & the QTs

If you wish to inquire about these interesting CDs, please write Jim Kane at 320 NW Heather Street, Port St. Lucie, FL 34986

Southington Rotary Jazz 'N Ribs

"Great Jazz, Great Food, Great Cause" was the theme of an evening to truly satisfy the soul and senses. In the jazz club setting of Mt. Southington's Mountain Room, the Southington Rotary Club hosted Jazz 'N Ribs, a fundraiser to benefit the Rotary International PolioPlus campaign to eradicate the polio virus worldwide.

Guests enjoyed succulent ribs and fixins' prepared by chef Patrick Noury, served by student volunteers fron the Southington High School Interact Club, then listened to the hot jazz of the Billy Cofrances QuartetNicole Pasternak. featuring New York jazz vocalist

New haven-based saxophonist Cofrances, who cites Cannonball Adderly, Eric Kloss and Paul Desmond as influences, was backed by Tom Devino-drums, Steve Taylor-bass and Joe McWilliams-keyboards. The musicians seemed inspired by the tasty backdrop of oversized black and white posters of jazz greats such as Louis Armstrong and Miles Davis and delighted the capacity audience with two sets of energized jazz standards. Pasternak, whom Chuck Berg of JAZZTIMES has described as "reminiscent of a young Ella," often traded scat-laced vocals with Cofrances' tenor and alto licks. She even playfully blended in an audience request for Michael Franks' jazz/pop hit, "Popsicle Toes."

Billy's website features some wonderful pictures from the event.