FOR decades Dr. John, the New Orleans pianist and songwriter, has stubbornly inhabited the psychedelic voodoo stage persona he created in the late 1960s. He still walks around with an African staff adorned with totems, bones, an alligator tooth, a vial full of a friend’s ashes and a juju bag.
But at 71, when many musicians might be cashing in on nostalgia tours or
eyeing retirement, Dr. John appears to be stepping outside of that
persona, both personally and professionally. He has an ambitious new
album, “Locked Down” (Nonesuch), a collaboration with Dan Auerbach, the
singer and guitarist from the popular blues-rock duo the Black Keys. And
this weekend he begins a three-week residency at the Brooklyn Academy
of Music, a series of nine concerts intended to celebrate his
contribution to American music over six decades.
Mr. Auerbach, 33, said one of his goals in producing the album was to persuade Dr. John
to let his mask slip and to create songs about Mac Rebennack, his real
self. “Sometimes, when you are a character, I think it can be draining
emotionally and personally,” Mr. Auerbach said during an interview in
the East Village. “And Mac as a human has so much to say and so many
real-life experiences. I wanted the music of Dr. John and the lyrical
content of Mac Rebennack.” Dr. John said Mr. Auerbach had created a rough-edged sound during 17
intense days of recording in Nashville last fall. “He pushed and pulled
me in some ways that made something different happen,” Dr. John said.
“He’s an aware little cat.” Read More
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