(NY Times)-Primordial equals durable for the Black Keys,
a two-man band — Patrick Carney on drums, and Dan Auerbach on guitar
and vocals — originally from Akron, Ohio, and recently transplanted to
Nashville. Visuals aside, their concert on Monday night could easily
have taken place in 1973. It was a set full of stomping drumbeats and
distorted guitar riffs carrying mostly declarations of woman trouble and
other mental distress. The songs were blues-rock, garage-rock, borderline psychedelia and loud
pop, mostly harking back to the 1960s; the most recent musical
reference, with brawny guitar tones and upper-register backing vocals,
was the T. Rex of “Bang a Gong (Get It On)” and “Jeepster.” Yet the
Black Keys weren’t playing some blues bar for a handful of nostalgic
baby boomers or a classic-rock radio station’s office party. This was a
sold-out Madison Square Garden, with a general-admission floor crowd
clamoring toward the stage and an audience full of girls eager to dance
and scream. Read More
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