I'll be at Damrosch Park Bandshell in Lincoln
Center for the big Girl Group show and a tribute to my dear friend Ellie Greenwich Saturday 7/30/11. Playing keyboards and singing back-up will be the
women who wrote my very last recording in the 1960's, Toni Wine.
My tribute to Amy Winehouse will be
available on-line this Tuesday. Proceeds go to Daytop Village, a substance
abuse treatment center for adults and teens throughout New York and the
surrounding areas.
Dates & Hours: Sat, July 30, 2011, 12 pm – Sat, July 30, 2011, 4 pm
Click image(s) to enlarge slideshow
This Girl Group symposium reflects the music era of the 1960s
and is moderated by Sheryl Farber, Alison Fensterstock and Lauren
Onkey, including interviews with Lesley Gore, The Angels, and The
Exciters, and a segment celebrating Ellie Greenwich’s life and legacy.
Film archivist Joe Lauro will screen vintage footage of the girl group
era in action.
12 pm-The Angels and the Exciters with Alison Fensterstock
1 pm- Interview with Lesley Gore with Sheryl Farber
2:15 pm -The Life and Legacy of Ellie Greenwich with Lauren Onkey
"Love Make You Do Stupid Things" goes swamp! With Christine Ohlman are most
of the Decoys..Kelvin Holly on guitar, NC Thurman on keys, plus Mike
Dilllon on drums and gospel harmonies....Muscle Shoals, AL on July 24,
2011 during the 2011 WC Handy Festival
Famous beehives:
Ronnie Spector & the Ronettes
Amy Winehouse
Christine Ohlman
Kate Pierson/Cindy Wilson of the B-52's
Dusty Springfield
Greater Hartford Irish Music Fest in Glastonbury this weekend (Friday through Sunday) at the Irish American Home (go figure), billed as the "Largest Irish Music Festival in New England."
Friday
Sorry, Johnny Gumbo will NOT make an appearance
Boston's Irish Rebel Band
Highland Rovers
Seven Nations Saturday
Colm O'Brien
Celtic Cross
The Rising
Shilelagh Law
Seven Nations Sunday
Andy Cooney
New York Show Band
Dan Peek (60), co-founder of America (and you thought it was Columbus), it's good to be out of the rain
Amy Winehouse (27), it has been said that death is an artist's greatest career move
Saxophonist Frank Foster (82)
Rob Grill (67), The Grass Roots, Let's Live For Today (must be tomorrow)
Manuel Garban (80), Cuban guitarist for the Buena Vista Social Club
Shelby Lynne and Tony Joe White- Rainy Night in Georgia:
1.Will put velvet out of business?
2.Not enough o's in smooooth?
3.Smooth as a prom queen's thigh? (heard this one years ago on Trinity College radio- great line!)
From Jack White and Stephen Colbert: The Black Belles
(From Yahoo) Swarming the music headlines this week, political funnyman Stephen Colbert debuted a musical collaboration produced by the hardestworking man in music, Jack White. With the fanfare surrounding his new song "Charlene II (I'm Over You)," the sequel to "Charlene (I'm Right Behind You)," lurking as his black-suited backing band stood the Black Belles. Not to be confused as just being Colbert's band, the Black Belles are their own band--and a darn good one.
But who are these ladies of darkness? Not much is known thus far--no
names, no origins, very few photos (which only adds to the
mystique). From what I could dig up from the Belle graves, the quartet
is a brand-new band, discovered in the last year or so by Jack White,
and they're currently signed to his Third Man Records label. Besides
"Charlene," the Black Belles have only have one original recorded song, a
fantastic cover of the Knickerbockers' 1960s classic "Lies," and have yet to record a debut album. (more)
What Is Too Hip (Vista Records)
Can one be too hip? Or two hipped? Tell me, tell me if you think you know. One thing is for sure, Marcia V will hip check you into the boards with her latest album, What Is Too Hip, a gumbo of tasty 'Haven-style blues, 60/70s Westie punk and sassy pop. The title track attacks you with V's signature screeching vocals and doesn't let up for five numbing minutes. I think it's a test: are you indeed hip enough. I almost wasn't, but what doesn't kill you, makes you stronger. I was on life support. But, miraculously, I was 'saved' by the total unexpected sweetness of former Westie Punk Gussy P's slide sitar guest solo on '99', a heart-felt gospel tribute to compatriot Steve the Bod. Vinnie V (no relation), Marcia's long-time collaborator, lyricist and oboist, gets a rare turn at lead vocals on the countrified ditty New Sheriff In Town (an ode to Johnny E). Next, MV stuns the senses once more with the strangest version of I Am the Walrus that I've ever heard, but I guess I'm too terrified not to like it. Too unhip, perhaps? It's out August 10. I dare you!
Top Ten
Back To Black (Amy Winehouse)
John Coltrane & Johnny Hartman (John Coltrane & Johnny Hartman)
The La's (The La's)
Bat Out of Hell (Meatloaf)
Moondance (Van Morrison)
Blonde On Blonde (Bob Dylan)
The Wild, The Innocent & the E Street Shuffle (Bruce Springsteen)
Dusty In Memphis (Dusty Springfield)
Sneaking Sally Through the Alley (Robert Palmer)
People Gonna Talk (James Hunter)
Honorable Mention:
Jaco Pastorius (Jaco Pastorius)
Dixie Chicken (Little Feat)
Gonna Take a Miracle (Laura Nyro & LaBelle)
All Summer Long (Beach Boys)
'Banana Album' (Velvet Underground & Nico)
Live At the Fillmore East (Allman Brothers Band)
Sweet Old World (Lucinda Williams)
Midnight At the Oasis (Maria Muldaur)
Silver City (Sarah Borges)
The Heart of Saturday Night (Tom Waits)
I know you think your list is far superior, so gimme yours in the comments section or email me at johnnykmusic@yahoo.com .
One of my favorites from the first time I heard her. Back to Black is one of my top ten favorite albums of all time, putting a modern spin on 60s soul/girl group style, backed by Sharon Jones' fabulous Dap Kings. Prompted me to sample Frank, her more jazz oriented first (and only other) album; liked it a lot (Andy, you still have it, my gift of a Christmas past?). Her successful style begot the likes of Duffy, Adele, Lily Allen, etc., some of whom I really like, but none the match of Winehouse. Unfortunately, she quickly became a public trainwreck (that dickhead 'My Blake, Incarcerated' helped push her over the edge, it seems), and my fear that we'd never get another taste has been fulfilled. So, now she becomes immortal. Sad how that works.
Amy Winehouse dead at 27
LONDON (AP) - Amy Winehouse, the
beehived soul-jazz diva whose self-destructive habits overshadowed a
distinctive musical talent, was found dead Saturday in her London home,
police said. She was 27. Winehouse shot to fame in 2006 with the
album "Back to Black," whose blend of jazz, soul, rock and classic pop
was a global hit. It won five Grammys and made Winehouse - with her
black beehive hairdoand old-fashioned sailor tattoos - one of music's
most recognizable stars. But her personal life, with its drug and
alcohol abuse, eating disorders and destructive relationships, soon took
over her career. Police confirmed that a 27-year-old female was
pronounced dead at the home in Camden Square northern London; the cause
of death was not immediately known. London Ambulance Services said
Winehouse had died before the two ambulance crews it sent arrived at the
scene. -(more)
Performance at the 2008 Grammys:
Back to Black:
Cover of Leslie Gore's It's My Party for Quincy Jone's album:
Cover of the Shirelles' Will You Still Love MeTomorrow for the movie, Bridget Jones:
I frequently receive email from publicity agents hawking the latest soon-to-be James Taylor, Bonnie Raitt, The Band. They must have found me on some late night drunken cyber witch hunt. Anyway, I do regularly pay attention to a couple- The Muse Box and Ariel Publicity - with semi-regularity. Today's pitch from The Muse Box featured a self-titled (okay, I'll say eponymous) U.S. debut album of The Duke & The King. What caught my eye in the piece was the name Simone Felice, a founding member of the fabulous Felice Brothers:
"Formed in New York by acclaimed musician-writer
Simone Felice, previously a key songwriter and founding member of
celebrated country rock outfit The Felice Brothers, The Duke & The King are
a potent vocal group created by Felice and Robert Bird Burke featuring Simi
Stone and Nowell “The Deacon” Haskins.
Named after the traveling Shakespearean troupe in Mark
Twain’s classic “The Adventures of Huckleberry Finn,” The Duke & The
King create a rollicking undeniably soulful sound in the vein of classic
songwriters from James Taylor to Rolling Thunder Review, Fleetwood Mac and
Sly & The Family Stone, while adding a distinctly personal touch with
Felice’s affecting narratives. It is a quality which inspired the
BBC to compare his songwriting to Leonard Cohen and Bob
Dylan.
The band’s upcoming release is a collection of songs
culled from the group’s two previous English albums, not available in the
U.S. Both records have received unanimously enthusiastic reviews from
the British press."
I'm listening. It is understated, with ear-catching lyrics ("cause we were just babies when the Jackson Five grew up so fast, baby, just come shake that country ass"), tasty backing harmonies (touches of early CS&N on You And I), sax flourishes. Worth some attention. They will be at the City Winery in NYC on Saturday, August 6. Give them a try and let me know what you think.
Shaky is one of the catchiest songs you will hear all Summer:
She's really good and it gives you lazy bastards an excuse to check out the spiffy renovations they did over the Winter at the Musicians Living Room. Doors open at 7 (no, not THEM!), show starts at 8. Ms. Jewell will also be in CT on August 20 at the Bridge Street Cafe in Collinsville.
It is the battered cassette jammed in the tape deck of the getaway car,
the music Ida Lupino cues up on the roadhouse jukebox as she counts the
till after close. This is Queen of the Minor Key by Eilen Jewell, a
smart cookie with a heart of burnished gold and enough stories to keep
even the rowdiest crowd hanging on her every word. Though its long
shadows and dark corners make her kingdom feel intimate, her sovereign
domain stretches as far as the imagination. Its denizens seek refuge in
padded rooms, abandoned automobiles… and strong spirits. They defend
their territory by any means necessary: weird voodoo, sawed-off
shotguns, broken bottles.
But beware, savvy observer. There is more to Eilen Jewell than meets the
ear. Do not confuse the singer and her songs. The drama and darkness
that give Queen of the Minor Key its gritty texture are in short supply
in the Boston-based songwriter's personal life. And in a curious twist,
these fourteen originals actually took shape in a sunny, idyllic
location that contrasts strikingly with the album's moody, film noir
atmosphere. - (more)
Four Or Five Times (Jimmie Lunceford) Swingsation
She's Funny That Way (Coleman Hawkins) Body and Soul
Tinker Tailer Soldier Sailor (The Yardbirds) Over Under Sideways Down
Upside Out (Viktoria Tolstoy) Jazziz
The One I Love Belongs To Somebody Else (Ella Fitzgerald) The Early Years
Psycho Daises (The Yardbirds) Over Under Sideways Down
I Just Keep Loving Her (Rob Stone & the C-Notes) No Worries
It's Raining (Lou Ann Barton) Old Enough
Jambalaya (Lucinda Williams) Ramblin'
Shelter From the Storm (Bob Dylan) Blood On the Tracks
Cajun Love Song (Leon Russell) Carney
My Career As a Homewrecker (Jonathan Richman) Having a Party With...
JohnnyK shuffle pick of the day: Lou Ann Barton It's Raining (also live version):
Lou Ann & Stevie Ray Vaughn in 1970s (with some really cool pics):
The legendary Booker T. Jones of Booker T. & the MG's. Here's the link to the whole show. Very cool. I've been preaching about this show for a couple years now; it is time you listened to me!
The Memphis-born Booker T. Jones was honored with induction into the
Rock and Roll Hall of Fame and a Grammy lifetime achievement award for
his genre-defining Hammond B-3 organ work with the renowned Stax Records
group Booker T and the MGs alongside guitarist Steve Cropper, bassist
Donald “Duck” Dun and Al Jackson Jr. His new solo album, The Road from
Memphis, which was released in May on Anti- Records, features cameos by
Lou Reed, My Morning Jacket’s Jim James and Sharon Jones. The L.A. Times
said, “Jones makes a quietly convincing case that when it comes to soul
music, all roads do seem to lead to Memphis.” Booker T., who has
collaborated with a who’s-who of popular music greats, including Ray
Charles, Otis Redding, Bill Withers, Rufus Thomas, Carla Thomas, Neil
Young, Stephen Stills and Willie Nelson, among many others, had a blast
playing with Daryl on the show.
“One of the nicest things about performing on Live from Daryl's House
is that Daryl has surrounded himself with musicians who can 'hear,’”
enthused Booker T. “That is, each one has talent to the extent of being
capable of performing as a soloist on his own, not needing to be told
the proper notes to sing or play.”
Get it while you can: Porn will be banned in Connecticut state prisons as of June 30, 2012. - story (A heads up, just in case you think the risk of knocking off that Bank of America branch might be worth it.)
She didn't listen: Police say Meriden man tried to run over ex-girlfriend. - story
But 'Lil Wayne (no relation to John Wayne or John Wayne Gacy), the bitch wouldn't split the damn check: Lil Wayne dancers charged with beating up waitress. - story
Honey, shouldn't you recycle? Wife cuts off husband's penis and tosses it into the garbage disposal - story
The QUEST for 3,000 is finally over (thank god!). Michael Kay was insufferable, but I'm guessing John Sterling was worse.
But Betty (The Clinic) Ford dead at 93.
The Pool Hall Studs are in Newport for some golf and some Bela Fleck.
Johnny Gumbo pens belated birthday greetings from the Great Northleft.
Watched CPTV's Jonathan Edwards on Infinity Music Hall Live (see Friday posting). Good show, check it out (he dedicated Shanty to Michael Phelps). Looking forward to Shelby Lynne coming up on July 22.
Sharie asked about our interest in seeing Brandi Carlile at Town Hall in NYC, saying she discovered her from Grey's Anatomy and really likes her. But I'm completely unfamiliar with Carlile. Off to YouTube:
In Your Dreams (The Strollers) A Million Dollars Worth of Doo Wop
Reynadine (Carolina Chocolate Drops) Genuine Negro Jig
Disgusted (Lucinda Williams) Ramblin'
Train In Vain (The Clash) London Calling
The Man I Love (Sarah Vaughn) The Roulette Years
Lifetimes (Van Morrison) Wavelength
Spirit In the Dark (Aretha Franklin) Live At the Fillmore
If I Could Be With You (Ingrid Lucia) Don't Stop
Cupid (Sam Cooke) Best of...
F-E-E-L (The Animals) The Complete Animals
Song For Rosemary (Fats Domino) Fats Domino
4th Time Around (Bob Dylan) Blonde On Blonde
My Feet Can't Fail Me Now (Dirty Dozen Brass Band) Our New Orleans
Betrayed (Lou Reed) Live In Italy
15 Minutes (The Strokes) First Impressions of Earth
Yvette & friends with Strange Boys' lead singer Ryan Sambol at 92Y Tribeca in NYC 6/24/11
(All Music Guide) - Brainwashed by years of exposure to an American Bandstand cassette (a
circa 1966 show, apparently) in their mother's car, brothers Ryan
and Philip Sambol started bashing out their own take on British and
psychedelic rock while still attending high school in Dallas, TX. With Ryan on guitar and vocals, and Philip on bass, the brothers honed their retro sound on their own before enlisting Matt Hammer on drums and Greg Enlow on guitar and keys, forming the group now known as the Strange Boys
in 2004. The fellas quickly asserted themselves in the fertile
Dallas/Austin indie scene and released their debut EP, States Newest
Noise Makers, in 2004. Relocating closer to the action in Austin in late
2006, the Strange Boys sought out the Gris Gris' Greg Ashley
to man the board for their first full-length release. In 2007, amid
work on the aforementioned full-length, the group issued the 7" EP
Nothing on Milwaukee's Dusty Medical Records. The Strange Boys moved to In the Red Records for their debut album, 2009's Strange Boys and Girls Club. For the following year's more expansive Be Brave, the band enlisted Mika Miko's Jenna Thornhill and Darker My Love's Tim Presley as collaborators.
WINDSOR, Ont. -- The tinny strains of Stompin' Tom Connors singing Canada Day Up Canada Way could be heard over the public address as the house lights went down for Diana Krall's Canada Day show Friday at Caesars Windsor's Colosseum.
The tongue-in-cheek reference to the national holiday of Krall's homeland set the tone early for the pride of Vancouver. It's Canada's weekend to stand up and be proud, and there are few better to do that with than Krall and fellow countrymen The Tragically Hip, who were scheduled in a shrewd stroke of nationalistic genius to play back-to-back shows at Caesars. - (more)