By Duc Pham (Harp Magazine)
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Diggin’ Uncle Q - “The Day We Met” sounds like it has NRBQ’s Big Al Anderson written all over it. Borges says her bandmates hipped her to the goofy High Geniuses of American rock ’n’ roll. “Our guitar player Mike, he’s from New York and he’s seen NRBQ [innumerable] times…[and] he started bringing all the NRBQ records into the van. There ain’t nothin’ like driving down the American highway listenin’ to NRBQ’s Live at Yankee Stadium.”
She Works Hard For The…Tangible End. “Part of the reason that people make art is there’s something that they’re trying to work out or work through. I don’t know if you really know what that is until the end of it, and maybe there isn’t an end—but at least a song is a tangible, 3 1/2-minute end. You’re a little bit further along at workin’ out where you’re at in your life in the 3 1/2 minutes than you were before you wrote it.”
Uncommonly Good! Harp’s own David Sprague says there’s an “impossibly infectious hook secreted in every song.” Sounds like a Keebler cookie, eh? They are, of course, uncommonly good. “[laughing] Yeah, I know. Of course it makes you laugh hysterically when you read stuff that’s been written about you. Not that you feel like it’s untrue, but other people’s assessments of what you’re saying is always a little bit suspect. But that’s a flattering thing to have said, but it does conjure up Keebler elves or puppies.”
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