Sarah was fantastic. Really very good. Ken and I sat at the bar, hoping/waiting for people to leave so there would be room to go downstairs. Finally, maybe 3 songs into her set, the door-girl found us upstairs at the bar and sold us tix. We gladly paid and went downstairs at 11:40pm. The lounge was crowded, but not too much, and I comfortably saddled up to the bar to order Guinnesses and Heinekens. Did not move much after that. Sarah was looking very beautiful, summer print dress, cut-off/frayed a few inches above the knee, that is her signature style...oh, and her music was great as well.
The band was tight (as if i know what that means), sounded very good, Binky was center stage with sarah and they rocked. She invited some girls, whom she dubbed the 'lizard lounge dancers', to dance on stage. These ladies were dressed up and 'looking good'. Had the crowd going pretty wild. She ended with the classic "turn your lights down low, open up your back door", with some guys prodding each side of the lounge to out-sing the other, it was spirited and fun as the chorus was sung a number of times.
Always fun with sarah....can't wait for next homecoming.- Cheers, Andy
It's late on a lazy Saturday afternoon and nothin', I said nothin', is goin' on. What the hell, it's been ages since I visited Brass City Records, that dusty, messy second-floor hideaway over in The 'Bury. G-Man, you in? Sure.
A climb up the creaky staircase deposits you into the middle of....organized chaos. CDs, vinyl, photos, other rock stuff everywhere. Okay, G, dig in. We go for the $2 used/promo bin first. It's work here, though, because you might not recognize many of the offerings in this collection. It takes focus, and G does seem very interested. Some old Neil Young plays on the store sound system while, up front, a young teen is showing off his knowledge of rock, vinyl, etc to the store owner, who nods politely, but probably wants to smack the little shit. As I try to ease into the back room, where there is a performance space (the Sawtelles have played here, I think) along with more cheap CDs (ten for $10!!!!), I'm trapped into football talk by an unkempt, inebriated, but harmless gent. Giants fan, Hendrix fan. Had a huge Hendrix collection that he sold after losing his house. G overheard him say he had been homeless for two years.
Finally settle on the following, but still have plenty of work left for another day:
Cat Power: Jukebox by Pete Paphides (London Times)
Long before Chanel declared an interest in her, the denim-clad elders of the music press fell hard for the woman known to her divorced, dysfunctional parents as Chan Marshall – and you can see why. Her drink problem is apparently behind her, as is the heroin-afflicted peer group she left behind in her native Atlanta to start afresh in New York. The backstory does no harm, but neither would it serve that much purpose were you not somehow able to hear all that autobiography in the grain of Cat Power’s voice.
Eight years after her first covers album and two years after she hooked up with Al Green’s old session men for The Greatest, Jukebox suggests that the rarefied company she keeps has compounded her belief in what she can bring to a song. The growth in confidence is illustrated by a version of her own Metal Heart that dresses the original’s emotional wounds in the sort of rich soulful blues she may have been too timorous to attempt a decade previously.
There’s no underestimating the empathy her current band, the Dirty Delta Blues, bring to the picture – in particular, sometime Delta 72 keyboard player Gregg Foreman, whose electric piano work brings a body-temperature ambience to Hank Williams’s Ramblin’ Man and George Jackson’s Aretha, Sing One For Me that calls to mind Joe Sample’s work with the Crusaders. - complete review
From Matador Records: Today we announce the final sequence for Cat Power’s upcoming ‘Jukebox’ album, to be released on January 22. The names below indicate the best known performer of the original songs, who are not necessarily the songwriters: 1. New York (Frank Sinatra) 2. Ramblin’ (Wo)man (Hank Williams) 3. Metal Heart (Cat Power *) 4. Silver Stallion (The Highwaymen) 5. Aretha, Sing One For Me (George Jackson) 6. Lost Someone (James Brown) 7. Lord, Help The Poor And Needy (Jessie Mae Hemphill) 8. I Believe In You (Bob Dylan) 9. Song To Bobby (Cat Power **) 10. Don’t Explain (Billie Holiday) 11. Woman Left Lonely (Janis Joplin) 12. Blue (Joni Mitchell) * original version on the ‘Moon Pix’ album - ** first appearance of this song
In addition, there will be a limited-edition silver foil deluxe package with a bonus disc containing the following 5 songs: 1. I Feel (Hot Boys) 2. Naked, If I Want To (Moby Grape) 3. Breathless (Nick Cave) 4. Angelitos Negros (Roberta Flack) 5. She’s Got You (Patsy Cline)
Sarah Borges: On the road and on the rise by Jonathan Perry (Boston Globe)
Only her band's van comes close to logging the miles Sarah Borges has put on her songs during the past year. Good thing they're as strong and sturdy as her wheels. After months of nonstop touring in support of her sophomore album, "Diamonds in the Dark," Borges and her band, the Broken Singles, return home for a pair of shows tonight and tomorrow night at the Lizard Lounge. For the Taunton native, the cramped but cozy Cambridge club is where it all began. Borges held the CD-release show for her first album, "Silver City," at the Lizard Lounge in 2005. Since then, she estimates her ensemble - which includes bassist Binky, drummer Rob Dulaney, and guitarist Mike Castellana - has logged about 100,000 miles in the band's van.
"It's been a good year with lots of new experiences," says Borges. "But it's good to be home. Life is bizarre when you live in a van and then you come home and try to have a regular life." This weekend's homecoming shows will also double as a video-release party for the final single being released from "Diamonds" ("Stop and Think It Over," written by the Reigning Sound's Greg Cartwright).
Borges and the Broken Singles even filmed a video for the song at both the Lizard Lounge and the Regent Theatre in Arlington, using a new multimedia company called Hobnox, where a team of Boston-area musicians (among them her boyfriend, singer-songwriter Jake Brennan) happen to work. Borges says she watched dozens of vintage videos on YouTube to get the right feel for her own debut. - complete article
Artistic Justice Served- 35 Years After She Was Poised For Superstardom, Bettye Lavette Finds Deserved Recognition by Eric Danton (Htfd Courant)
There's nothing allegorical about the title of Bettye LaVette's latest album, "The Scene of the Crime." It's a cold case now, and some of the principles have since died, but she is certainly the victim of a musical felony committed some 35 years ago.
Her story traces its roots to Muscle Shoals, Ala. That's where LaVette, then 26 with a smattering of hit singles to her credit, spent four days in 1972 recording what became a lost classic, "Child of the Seventies." It was the album that was supposed to vault her into the upper reaches of the R&B stratosphere, alongside icons such as Aretha Franklin, Wilson Pickett and Etta James. Instead, for no particular reason, Atlantic Records shelved the album. - complete article.
BETTYE LAVETTE performs Wednesday at the Iron Horse Music Hall, 20 Center St., Northampton, Mass. Tickets for the 7 p.m. show are $25 in advance, $28 at the door. Information: 800-8438425. LaVette performs Jan. 24 with Mavis Staples at the Garde Arts Center, 325 State St., New London. Tickets for the 8 p.m. show are $58, $48, $38 and $30. Information: 860-444-7373.
SAN DIEGO - Rock 'n' roll pioneer Ike Turner's death last month at age 76 was caused by a cocaine overdose, the San Diego County Medical Examiner's office said Wednesday. "We are listing that he abused cocaine, and that's what resulted in the cocaine toxicity," said Paul Parker, chief investigator at the medical examiner's office. The medical examiner's office also listed hypertensive cardiovascular disease and pulmonary emphysema as "significant and contributing factors" to Turner's death, Parker said. - complete article
Today's mail trumpets the arrival of Thee Sawtelles' latest, Dime Museum:
The new disc is done. Eleven songs with one of them being Frank Critelli's words (couldn't help it) w/P's tune. We're starting up the eastern bloc diningroom table cd factory. These discs will be sold way cheap to undercut our other disc price. Wanna pay a dollar for it? No problemo. Want to pay a fiver? Ditto. Wanna pay six? No way man! We were only going to make like 3 of them for our 3 semi-interested fans, but if you are interested let us know so we can make one just for you too.
The title of the disc is "dime museum", which if you look up you will find that Dime Museums were the lowest of the low entertainment options in Houdini's time. They had such high-brow things to look at like: magicians, acrobats, freaks and THEE SAWTELLES.
The Sawtelles are Peter Riccio on various guitars and vocals, Julie Riccio on standup drum kit and backup vocals. Check out Sawtelles myspace page for updates and concert information.
I'm in the checkout line (well, it was empty, but if there were a line there, I would have been in it) at FYE at Westfarms, picking up some post-Christmas presents (Feist's The Reminder, a 4-disk set of 50's gospel), when I hear two gents brainstorming over who sang the song Brandy. I guess one was trying to locate the album, so the other offered authoritatively that it was Dennis Yost and the Classics Four. What?? The store manager looked on with no clue. After checking out, I walked past them and casually whispered to the manager, "If you really need to know, Brandy (You're a Fine Girl) lyrics is by Looking Glass," and walked out. -hear it.
Video clip of Christine Ohlman & Rebel Montez at Cafe Nine on September 14, 2007 courtesy of imagin2020. "Saturday Night Live Band vocalist Christine Ohlman, the Beehive Queen, rocks New Haven with her R&B soul's passion. The band had just returned from a tour of France and I was lucky enough to witness the live performance at Cafe Nine September 14, 2007. Sharing it with you..." - complete text/video.
Note: According to her website, the Queen rocks the main stage of the 30th annual Meriden Daffodil Festival, Hubbard Park on April 26 with headliner Eric Burdon & The Animals. Burdon still has great blues chops, so it shouldn't be one of those crappy nostalgic shows. Looking forward to that pairing.
Roberta Moore Patterson somehow has my email and sent johnnykmusic the following about a band called The Supersuckers. I don't know them, but apparently Eddie Vedder does, so that gives them some credibility. Checked them out on youtube with mixed reactions (see clip at bottom)- they are an acquired taste. Rough, bad, cool- you get the picture. Lead singer Eddie Spaghetti's voice seems a little shot. They appear at Toad's Place on Tuesday, February 5. Heeeeeeeere's Roberta:
Known as the "greatest rock and roll band in the world," the Supersuckers reveal new details of their upcoming album plus confirm more tour dates. Read on! Media Contact: Roberta Moore Patterson 919-321-8246, Roberta@romopr.com
SUPERSUCKERS ANNOUNCE NEW ALBUM DETAILS AND CONFIRM JANUARY & FEBRUARY 2008 TOUR DATES
Supersuckers kick off 2008 with announcing details of their new full-length album and adding more live dates. Singer, Eddie Spaghetti, will perform a special solo set backed by Jordan Shapiro on these dates and the full Supersuckers band will join them starting on January 24, 2008 in Hillside, IL.
The band is currently finishing their new album (to be released later in Spring 2008 on their label, Mid-Fi Recordings) and will be previewing new songs as well as performing their classics. Currently untitled, the new album will, be the band's first full length recording since 2003's "Motherf^ckers Be Trippin." Since then, Supersuckers opted to release music through the EP format.
Eddie Spaghetti explains, "Yeah, I pretty much thought we were done making full length records. But the somewhat anemic response to our 'Paid' EP sort of got me to re-think the whole EP concept. So when we got into the studio this last time, we just threw everything we had at the tape machine and we saw that we had enough for a full length.”
Eddie Spaghetti continues, “It's a little different that our previous records. I almost hate to say this, but it's a little bit more mature. An ugly word to use to describe what we do but I think it fits this time around. But it's an awesome record and I'm really proud of the way it's turned out. Now if I could just come up with a title for the damn thing..." Titled or not, look out for this rock-n-roll juggernaut to be released in the spring of 2008 followed by extensive touring by the band well into 2009. Here are a few of the song titles to look forward to:
Something Good For You Listen Up When I Go, I'm Gone She Is Leaving What It Takes I'm A F^cking Genius Anything Else Sunset On A Sunday
as well as... Paid Breaking Honey's Heart I Like It All Man
Supersuckers spent 2007 touring all over North America playing clubs, three motorcycle rallies, extreme sports events at ski resorts, and outdoor festivals like Farm Aid (NYC), Summer Strummer Festival (Santa Barbara), and Hootenanny (Irvine). They also performed 62 shows throughout Europe during that year and filmed "Supersuckers Fan Club DVD #2," a live DVD recorded in Belgrade, Serbia in March 2007. This DVD will be made available to fan club members – over 1000 members strong – for free in January 2008. A clip from this performance featuring “Evil Powers of Rock and Roll” can be viewed here.
The last fan club release was "Fan Club #6" CD and featured demos from 1999’s "Evil Powers of Rock and Roll" release. The band finished 2007 with a three-night stand at Los Angeles’s Viper Room, which included a New Year’s Eve show.
Fusing the love for both rock and country, Supersuckers scratch out a musical hybrid all their own while earning a ballsy live reputation. The Seattle band’s (by way of Tucson) latest release is the “Paid” EP. Audio clips of Supersuckers and Eddie Spaghetti’s solo albums can be heard through the online jukebox by clicking here.
Defiantly independent, Supersuckers have successfully been releasing music through their own label, Mid-Fi Recordings, since 2002 after leaving Sub Pop who released six albums by the band. Since then, the band has sold over 100,000 CDs in an otherwise dismal market, released DVDs, and have toured all over the world, playing festivals like Reading & Leeds to honky-tonk dives in the South. Supersuckers have also played numerous benefits and have donated the proceeds from the digital EP, Supersuckers Live at the Whole Foods Market at Arabella Station to the New Orleans Musicians Clinic who provides health care services to musicians. Check out the song “Paid” here.
Supersuckers have backed Willie Nelson on The Tonight Show with Jay Leno and have collaborated with Eddie Vedder, Steve Earle, Kelly Deal of the Breeders, and the list goes on. Their music has been licensed to commercials (Mountain Dew), movies Baseketball, Hype), TV shows (most recently, Discovery’s Deadliest Catch) as well as countless snow and skateboarding video compilations.
Supersuckers are: Eddie Spaghetti / singer, bass Dan “Thunder” Bolton / guitar Rontrose / guitar Scott Churilla / drums (formerly Rev. Horton Heat’s dummer)
TOUR DATES * Eddie Spaghetti solo without Jordan Shapiro # Eddie Spaghetti solo with Jordan Shapiro ^ Eddie Spaghetti solo with Jordan Shapiro + Supersuckers
Night After Night Conspicuous consumption of music, live and otherwise, in New York City.
Top Ten Non-Classical Recordings of 2007: 1. Suzanne Vega- Beauty & Crime (Blue Note) 2. Tyshawn Sorey- that/not (Firehouse 12) 3. Radiohead- In Rainbows (W.A.S.T.E.) 4. Robert Glasper- In My Element (Blue Note) 5. Battles- Mirrored (Warp) 6. Muhal Richard Abrams- Vision Toward Essence (Pi) 7. Sarah Borges and the Broken Singles- Diamonds in the Dark (Sugar Hill) 8. Exploding Star Orchestra- We Are All from Somewhere Else (Thrill Jockey) 9. Brakesbrakesbrakes- The Beatific Visions (Worlds Fair) 10. Sam Sadigursky- The Words Project (New Amsterdam)
The Knickerbockers were an American pop/rock music group best remembered for their 1966 hit, "Lies." The band was formed in 1964 in Bergenfield, New Jersey by Buddy Randell (vocals, sax) (birth name: William Crandall), previously of the Rockin' Saints and the Royal Teens, who had a hit with "Short Shorts" in 1958. They took their name from Knickerbocker Avenue in their hometown.
The original (and "classic") line-up consisted of Randell, drummer Jimmy Walker (previously the drummer with Messina, New York based Atco Records act The Castle Kings), and brothers Beau Charles (guitar/vocals) and John Charles (bass/vocals) (birth names: Robert and John Carlos Cecchino respectively). They were spotted by producer/singer-songwriter Jerry Fuller playing a teen dance in Albany, NY, and he subsequently signed them to Los Angeles-based Challenge Records.
Rising from the street corners of Hell's Kitchen, Pool Hall Studs blew up the hip-hop scene in 1985 with their debut album, We're Outta This Lame Town. The band's latest album, Where the Hell Did the Gumbo Go?, melds MarkyMark's heavy flow with Barry D's soulful bass lines to create a solid record chock full of slammin' joints. With standout tracks like "Bruised Bad At Ryan's Pub", "Quarter Up, Boyz" and "Condom Rainsuits Are Tres Cool" dominating radio airwaves far and wide, Pool Hall Studs is an essential addition to any music lover's library.
Tell all your friends. If you have no friends, tell anyone else you know. The 4th annual Southington Rotary Mardi Gras Night will feature the D Smith Blues Band in response to the overwhelming feedback from last year's performance.
Just the facts, Ma'am:
Date/time: Fat Tuesday, February 5, 2008 from 6:30pm to 10:00pm
Death comes for a musician who lived the blues (Boston Globe)
Weepin' Willie Robinson smoked his last cigarette in bed yesterday morning at a Jamaica Plain rest home. The cigarette sparked a fire that ended the legendary blues man's rich and textured life. Robinson, 81, had been a sharecropper, an Army veteran, a friend of famous entertainers like B.B. King. He had been homeless and then was rediscovered as a treasure who played with the likes of Susan Tedeschi, Steven Tyler of Aerosmith, and Bonnie Raitt and won local music honors. Even when he was homeless on the street, too tired to stand, or losing his memory, Robinson never stopped performing. "He was truly the elder statesman of the [Boston] blues. He was our godfather. He was the most dear man," said Holly Harris, host of "Blues on Sunday" on WBOS radio. - complete article - CD review
Local Motion: Two Empty Rooms Hartford Advocate article on the dirth of good jazz clubs in the Insurance City (in sharp contrast to the plentiful days of the 880 Club in the 1980's).
Happened upon your site, and thought I’d drop a note.
Back in the day – early 60’s, the McGowans (Frank, Dennis, and Bobby) were very involved in Fife and Drum Corps, performing both with the Connecticut Ancient Mariners (co-founded by my father, Jack MacLearn, and Roy Watrous), and Stoney Creek Corps. Dennis McGowan gave me some of my first bass drum lessons. I saw all three on a regular basis, and later, after I left fife and drum music to pursue guitar, and rock’n roll, I ran into the McGowans in Vermont , where I had moved in the early 70’s. They became a regular feature at a club in Wilmington , VT , where I saw them on several occasions.
Thereafter, I lost track of them, and only just learned of Frank and Dennis’ passing. Both wonderful guys, skilled musicians, and great entertainers. As they say… “those were the days…” - Lachlan MacLearn, Somewhere in New Hampshire
You know the routine. The Flynn/Kennedy/McGowan clan has excellent, eclectic tastes and each Christmas yields lots of tasty music treats. This year was no exception:
Basement Tapes, Vol 1 (Bob Dylan & The Band)
Gaslight Tapes (Bob Dylan)
Fabuloso (Melvern Taylor)
Diamonds in the Dark (Sarah Borges and the Broken Singles)
Static Age (The Misfits)
Uh Huh Her (P.J. Harvey)
Goin' Home Tribute to Fats Domino (Various Artists)
Frank (Amy Winehouse)
Live at the Fillmore-1970 (Neil Young & Crazy Horse)
Holiday albums can become classics fast by John Gerome (AP)
NASHVILLE, Tenn. - Alan Jackson, Garth Brooks and Toby Keith have a couple apiece. Kenny Rogers and Dolly Parton did one together. The ever-prolific Willie Nelson has at least four of them. Most country stars, and many of their pop counterparts, have a Christmas album or two in their catalogs, and for good reason: The records are relatively easy to make and have the potential for big payoff. "If it's really good, it can go for 20 years," said Bill Kennedy, vice president of sales for Capitol Records Nashville.
Or longer. Released in 1957, "Elvis' Christmas Album" is the top-selling holiday release of all time with 9 million in sales, according to the Recording Industry Association of America. The single "Blue Christmas" is a Christmas classic, even parodied by Porky Pig. Other Christmas blockbusters are Kenny G's "Miracles: The Holiday Album" (8 million), Barbara Streisand's "A Christmas Album" (5 million), and the three classic Johnnykmusic Xmas discs (3.5 million), according to the RIAA. - complete article
To the surprise of few, the Clark Brothers were anointed The Next Great American Band amongst the three Nashville-based finalists in the LAST episode Friday night on FOX. It was a night we got performances from judges Sheila E (doing a slick, schmaltzy 80's number with her all-chick band) and Johnny Goo Goo Doll (I'm now really wondering if that is his real hair) with his washed-up band. In addition, the show brought back previously eliminated bands The Likes of You, Light of Doom, Dot Dot Dot, Cliff wagner & the Old #7, Tres Bien to join the finalists in a TNGAB family Christmas medley. Curiously missing were the Philly funk band Franklin Bridge (one of my early favorites), the girl-punk band Rocket, Brooklyn-based The Hatch and Detroit rockers The Muggs.
Denver & the Mile High Orchestra (with front man Danny Ainge) was eliminated first (wow, what a shock!), then performed The Ides of March's Vehicle instead of an original composition, exposing the real flaw of this reality competition. (Wikipedia site has the elimination chart). FINALLY, they lined up Sixwire and the Clark Brothers and announced the winners. (Who should win?) Quite anticlimactic, much like the show itself, a promising concept rendered pretty crappy. And there you have it! Let me wish you a goodnight, and a pleasant tomorrow. Another view- BuddyTV recap
Ginny/Chet P raving about the rough-looking, great-sounding band they happened upon last week while meeting friends for a drink at the Pig Out. With a little Googling, I think I found them - Bloodbrother. Seems that they appear monthly at the venue.
According to their website, "...We have been together as a band for almost 20 years. We are not The Bloodbrothers and we are not Blood Brother Band. We are The BLOODBROTHER band." Okay, I'll make a note. They are - Keith Legere (drums), Conrad "Coyote" Doty (lead guitar), Steve Fishman (bass guitar), Dale Adams (keyboards), Dan MacNamara (keyboards/sax/accordion).
Hey everyone, we really wanted to do a Christmas show this year, but it just wasn't possible. Instead we've put together a bandzine, this is an inside view on the people we've met and cherish for being absolutely fantastic and our best friends, it's also an insight into the (many) minds of the Pipettes. We hope you enjoy it, basically. Click here to download the bandzine.
Hattie, the vagabond parakeet and traveling companion to jgumbo, cashed in her chips on Saturday after a long and memorable life filled with travel and song. Most renowned for her long distant jaunts starting with her trip from her birthplace, Dayton, OH, in 1999 by car to Southington, CT, and, most recently, cross country over 3000 miles from CT to Spokane, WA, in the passenger seat of a rental truck, Miss Hattie was loved and admired by all who knew her. She could break out in song at any time and loved the back and forth banter of a good conversation. Her favorite singing companions were Willie Nelson (loved "On the Road Again") and Jimmy Buffett (favorite - "Why don't we get drunk and screw").
Farewell, Miss Hattie. May your days be filled with free flight. We will miss you. - JG
Singer-songwriter Dan Fogelberg dies by Nekesa Mumbi Moody, (AP)
Dan Fogelberg, the singer and songwriter whose hits "Leader of the Band" and "Same Old Lang Syne" helped define the soft-rock era, died Sunday at his home in Maine after battling prostate cancer. He was 56.
Fogelberg's music was powerful in its simplicity. He didn't rely on the volume of his voice to convey his emotions; instead, they came through in the soft, tender delivery and his poignant lyrics. Songs like "Same Old Lang Syne" — in which a man reminisces after meeting an old girlfriend by chance during the holidays — became classics not only because of his performance, but for the engaging storyline, as well.
Fogelberg's heydey was in the 1970s and early 80s, when he scored several platinum and multiplatinum records fueled by such hits as "The Power of Gold" and "Leader of the Band," a touching tribute he wrote to his father, a bandleader. Fogelberg put out his first album in 1972.
Listened in to The Soul Express with Dean Farrell for a bit last night catching his tribute to Ike Turner. If you like vintage, hard-to-find soul/R&B, check it out Saturday evenings from 9-12.
The playlist: 1. NIGHT TRAIN - James Brown & The Famous Flames (1962) 2. THE HOUSE THAT JACK BUILT - Aretha Franklin (1968) 3. HE'S GOT THE POWER - The Exciters (1963) 4. (COME ON BE MY) SWEET DARLIN' - Jimmy "Soul" Clarke (1966) 5. WHO TOOK THE MERRY OUT OF CHRISTMAS? - The Staple Singers (1970) 6. MY THING IS A MOVING THING - The T.S.U. Toronadoes (1969) 7. AIN'T THAT TERRIBLE - Roy Redmond (1967) 8. DON'T LET HIM TAKE YOUR LOVE FROM ME - The Temptations (1969) 9. WALK AWAY - Ann Peebles (1969) 10. AVE MARIA - Stevie Wonder (1967)
Ike Turner Tribute, Part 1:* 11. ROCKET 88 - Jackie Brenston & His Delta Cats (1951) 12. I'M TORE UP - Billy Gayles (1956) 13. A FOOL IN LOVE - Ike & Tina Turner (1960) 14. IT'S GONNA WORK OUT FINE - Ike & Tina Turner (1961) 15. POOR FOOL - Ike & Tina Turner (1961) *Ike Turner died on December 12, 2007. He was 76.
16. GOT TO HAVE YOU BACK - The Isley Brothers (1967) 17. I'M THE ONE TO DO IT - LaVern Baker (1969) 18. BOOTY BUTT - Ray Charles (1971) 19. I'VE GOT DREAMS TO REMEMBER - Otis Redding (1968) 20. DO YOU HEAR WHAT I HEAR? - Gladys Knight & The Pips (1975) 21. CHRISTMAS IS LOVE - James Brown (1970) 22. I CAN UNDERSTAND IT - New Birth (1973) 23. SHAKE SHERRY - The Contours (1962) 24. THE DAY I FOUND MYSELF - The Honey Cone (1972) 25. IT'S NOT UNUSUAL - The Dells (1965) 26. YOU'RE A WONDERFUL ONE - Marvin Gaye (1964) 27. I'VE BEEN LONELY FOR SO LONG - Frederick Knight (1972) 28. IT'S CHRISTMAS TIME - Smokey Robinson & The Miracles (1970)
Ike Turner Tribute, Part 2: 29. I'M BLUE - The Ikettes (1962) 30. GHETTO FUNK - Ike Turner (1969) 31. BOLD SOUL SISTER - Ike & Tina Turner (1969) 32. PROUD MARY - Ike & Tina Turner (1971) 33. NUTBUSH CITY LIMITS - Ike & Tina Turner (1973)
34. HEY SAH-LO-NEY - Mickey Lee Lane (ca. 1964) 35. HE'S BAD, BAD, BAD - Betty Wright (1968) 36. NINE-POUND STEEL - Joe Simon (1967) 37. RAININ' IN MY HEART - Al Green (2003) 38. (CHRISTMAS JUST AIN'T CHRISTMAS) WITHOUT THE ONE YOU LOVE - The Ebonys (N/A) 39. BACK STREET - Edwin Starr (1966) 40. POVERTY - Bobby "Blue" Bland (1966) 41. SOME THINGS YOU NEVER GET USED TO - The Supremes (1968) 42. HEY, WESTERN UNION MAN - Jerry Butler (1968) 43. THE KNOCKOUT POWER OF LOVE - Bobby Patterson (1969) 44. LOVE WHAT YOU'RE DOING TO ME - Janet & The Jays (1967) 45. MORE THAN I CAN STAND - Bobby Womack (1970) 46. I DON'T WANT TO DISCUSS IT - Little Richard (ca. 1966) 47. S.Y.S.L.J.F.M. (THE LETTER SONG) - Joe Tex (1966) 48. DEAR LOVER - Mary Wells (1966) Ballad block: 49. THE MISTLETOE AND ME - Isaac Hayes (1970) 50. LOVE IS A HURTIN' THING - Lou Rawls (1966) 51. LOVE IS SO SIMPLE - The Dells (1968) 52. SIT DOWN AND CRY - Jean Wells (1969) 53. I WANT A GIRL - The Mad Lads (1966) 54. CRY TO ME - Betty Harris (1963) 55. LOVABLE GIRL - James Carr (1967) 56. ALL I NEED IS TIME - Gladys Knight & The Pips (1973) 57. MY CHRISTMAS TREE - The Temptations (1970) 58. SOUL SERENADE - King Curtis (1964)
Our enemies are innovative and resourceful, and so are we. They never stop thinking about new ways to harm our country and our people, and neither do we.
More than two decades later, it is hard to imagine the Revolutionary War coming out any other way
You never know what your history is going to be like until long after you're gone.
To my surprise this morning, as I started watching The Next Great American Band (taped from last night), I realized that this was the FINALS! Oh well, guess I missed the incredible buildup that swept across America about this show. ANYWAY, to recap, the Final Four are Sixwire, Light of Doom, Clark Brothers, and Denver & the Mile High Orchestra. Host Domenic Bowden explains to us that THE FINALS (do you have goosebumps too?) will consist of the three chosen bands singing three songs each.
Round 1 (songs chosen by the judges): DMHO is the first band selected and performs Earth, Wind & Fire's September selected by Sheila E, who relates that she's personal friends with the members of EW&F. Denver does a good cover version of the song, nothing extraordinary. The Clark Brothers are up next singing Clapton's Change the World, selected by Johnny Goo Goo Doll, and again gave a great, unique performance, the type that separates them from all the other bands in the competition. Then it's time for the elimination and the kids from Light of Doom finally are finally shown the door. Dicko has selected Steely Dan's Reelin' in the Years for Sixwire, who deliver the classic nicely.
Round 2 (songs selected by FOX, whatever that means): This is really, really (have I made my point?) weak, the bands have to endure mediocre selections like Vehicle (Ides of March) for DMHO, Amazed (Lonestar) and the worst, I'd Really Love to See You Tonight (England Dan & John Ford Coley). Dreadful. I feel ill.
Round 3 (songs selected by the bands): Last call. DMHO plays The Way You Move Me, an original. It's ok, but this band is caught between being a big band and being hip. It doesn't work. The Clark Brothers choose the gospel song Faith, Faith, Faith that knocked everyone out at the audition, but I'm disappointed (the judges are orgasmic) because I want to hear more from these guys. If there is any justice (not David, on steroids), these guys will win. Sixwire brings the competition to a close with a previously performed original Good To Be Back, kind of their signature song, which they nail.
So, now we wait until next week to see what happens next. I know it will be a sleepless week for me, how about y'all?
I am SO excited! What timing! And, as soon as I process my winning ticket per the VERY secret instructions below, I am going to share it with you, my very loyal readers! But PLEASE keep this a secret "...to avoid double claiming and unwarranted abuse of this program by some unscrupulous elements." I HATE those unscrupulous elements (and I think you know who you are). Mrs. Jennifer Cantin and I are having lunch next week. It's the least I could do to thank her for this wonderful windfall. Hugs all around!
Final Results!!! A.C.I Headquarters, Euro-Afro-Asian Sweepstake Award Department, Madrid, Spain. Ref:ALI/309V/06, Batch Number:09/W678/06, 11,12,2007
We are pleased to announce to you the result of the Euro-Afro-Asian Sweepstake program held in Madrid. Your email address attached to ticket number 56714527/06 with the serial number AL234 and batch number 7888/06/ES and Reference number ES009345W drew the lucky number 31-6-26-13-35-7 which subsequently won in the 3rd category of this years program. You have therefore been approved of the lump sum of one hundred and fifty thousand euros(150.000.00euros)credited to security file number KPC/9118308/06.
For the immediate commencement of the release of your award to you, you are advised to make immediate co ntact with the claims manager with the below given contact details: Name: Dr. pedro mitchell Email:lotopremi@netscape.net Tel: ++34 656 325 789
You will be sent a claims verification form for the formalisation of the transfer of your award. Note that participant were selected randomly from World Wide Web Site through computer draw system extracted from over 100,000 emails of individuals and companies. This program takes place annually. For security reasons you are advised to keep your winning information confidential until your claim is processed and your award transferred to you. This is part of our security protocols to avoid double claiming and unwarranted abuse of this program by some unscrupulous elements. Please be warned.
To avoid unecessary delays and complications do quote your security file number in all correspondence. We thank you for being a part of our promotional program and Congratulations from all members and staffs of our company.
Yours faithfully, Mrs. Jennifer Cantin For Claims Manager
After thoroughly reviewing the Mitchell Report, I noticed certain familiar names deep down that have curiously not been 'outed' in the national media. Perhaps it's because these entertainment giants are untouchable:
Johnny Gumbo (hiding behind shades at right)- there were whispers after his extraordinary pool (eight-ball) performance at Ryan's Irish Pub at this year's JazzFest
Neil Diamond- First the Caroline Kennedy revelation, now this!
Celine Dion- surprising, but the stamina of that broad is superhuman, even if her singing is inhumane.
Amy Winehouse- but unknowingly, they were next to the heroin.
Noted golfer/soccer goalie Bernie B.- but no proof, he's hightailed it out of town
The Courant's venerable jazz critic reports today that Paul Brown will no longer produce his wonderful Monday Night Jazz Series in Hartford's Bushnell Park. Brown, who wants to focus on playing/teaching, has brought free, outside jazz concerts to Hartford for the past 40 years. He may also be tired of the constant funding grind required to keep the series afloat each summer. Sad. No reports yet whether someone or some organization will try to step in.
Under appreciated as one of the most important musicians to shape early rock 'n roll and vilified for his marital fisticuffs with wife Tina Turner, Ike Turner has died at age 76. Saw him give a fabulous performance in the Blues Tent at the 2005 New Orleans JazzFest, but worried about the wellbeing of his TT stand-in, who screwed up momentarily during one number. When an ambulance passed us as we exited the fairgrounds that day, we wondered if Ike had noted the miscue to her as only he could. - article - All Music Guide - Newsweek
Email response from Johnny Gumbo in the Great Northwest: From "natural" causes, I presume. Did you read where he was married 14 times? No wonder they kept asking "who's your daddy"!
"In the days of my youth; I was told what it was to be a man; Now I've reached the age; I've tried to do all those things the best I can; No matter how I try; I find my way to do the same old jam," - article- rave reviews
Introduction and opening song - Good Times, Bad Times:
Winehouse's mother begs her to come home (Reuters)
The mother of troubled soul singer Amy Winehouse has written a public letter to a British Sunday newspaper pleading with her daughter to come home for help to deal with a series of personal traumas. Last week a distraught Winehouse, who has struggled with drugs and alcohol, was pictured in newspapers (article) wandering the streets of London at dawn in only a bra and jeans. The 24-year-old singer recently cancelled all her remaining planned concerts this year, saying she could not perform while her husband was in custody. - full article
It's late Friday afternoon and snowing, a perfect time to bag the Christmas tree. FIVE MINUTES! A new family record! With the conifer stuffed into the back, The Reet and I slide on over (it's really snowing) to Billy O's English Tavern for a bite to eat, where we meet barkeep Jeff, an acquaintance of GZ's boys (not to be confused with JZ's boyz). Chicken pot pie (packaged, but they will be baking their own pies shortly) and Boddington's for me and a burger/diet coke for the young lady as Jeff relates, with a touch of awe, what a great athlete GZ was in his day. I ask Jeff how he came to know this of the QU hall of famer and he says GZ told him. Not surprised.
Watched the Celtics destroy injury-riddled Toronto while awaiting G-Man's return from his SHS coaching duties. Upon his return, with the Celts safely in the W column, we renewed our quest to find The Next Great American Band. I started watching this show with high expectations and, though bitterly disappointed with it, I'm going to see it through no matter how bad it gets! G has been on board for the last couple episodes, while Jonathan and The Reet want no part.
We are down to five bands - Sixwire, The Clark Brothers, Denver & the Mile High Orchestra, Dot Dot Dot, Light of Doom. Much as I dislike The Dots, it's really time to get these Light of Doom kids off the show. Good, talented kids, but the novelty has run its course. Okay, host Dominic Bowden, who adds little to the show, announces that in addition to covers of Queen (here's the promo), the bands would also be performing original songs. What a concept! Too bad they waited until now (originals were performed in qualifying and the first week, but since then nothing but crappy covers), for bands like Tres Bien and Franklin Bridge would have benefited. But we plod on.
The Clark Brothers are selected first, showing off the newly-added drummer/bassist per Dicko's suggestion, performing Queen's These are the Days of Our Lives - and nail it. These guys are the most interesting, entertaining band in the competition. It's not only their talent, but their passion and intelligence that separates them from the pack. Their original Homestead, performed in a second round, was uptempo, catchy, but the lyrics (agreeing with Dicko's assessment) were cliched.
Light of Doom. Shit. We are forced to endure a metal version of We Will Rock You (Freddie must be bummed in his box), then their own A Matter of Time. Not good, the judges kill the poor little bastards. Just make them go away. Please. Next is Sixwire, the most polished group in the competition, doing a great Fat-Bottomed Girls (you make the rockin' world go 'round) and the original Go On that the judges fawned over (Dicko said they found their inner naughty boys, which creeped me out a little). Look, these guys are very good at what they do, I just don't think they do anything unusual. They may win though.
Who goes, Denver or Dot Dot Dot? Which band gets to practice all week and not get to perform? It's Dot Dot Dot. Hugs all around as DMHO gets to go on, performing Sleeping on the Sidewalk and their own Big White House. I'm feeling guilty about this, but I find them boring now, while the judges, including the extremely annoying Johnny Goo Goo Doll ("it had a little grease on it"), are getting into them more lately.
Well, we got through another episode. Not sure what lucky composers will be covered next week, but maybe they'll go for something edgy like the Monkees. Or, Great Scott, no covers! Hang in there, it's almost over.
The Grammy nominations (110 categories!!!!) have just been announced (complete listing). Below are the two blues (Field 13) categories:
Category 66- Best Traditional Blues Album (Vocal or Instrumental)
Pinetop Perkins On The 88's - Live In Chicago Pinetop Perkins [Sagebrush Productions/Vizztone Label Group]
Live...And In Concert From San Francisco Otis Rush [Blues Express, Inc.]
10 Days Out: Blues From The Backroads Kenny Wayne Shepherd Featuring Various Artists [Reprise Records]
Old School Koko Taylor [Alligator Records]
Last Of The Great Mississippi Delta Bluesmen: Live In Dallas Henry James Townsend, Joe Willie "Pinetop" Perkins, Robert Lockwood, Jr. & David "Honeyboy" Edwards [The Blue Shoe Project]
Category 67 Best Contemporary Blues Album (Vocal or Instrumental)
Into The Blues Joan Armatrading [429 Records]
Is It News Doyle Bramhall [Yep Roc Records]
The Road To Escondido JJ Cale & Eric Clapton [Reprise Records/Warner Music Group]
Monthly email update from the nerverockers: This is what we’ve got going on the next few days:
tonite, wed, feature at billy o’s open mic. Rt 322 near the DQ and truck stop in the Rochambeau (strip) Mall. No cover. Plenty of English food and beverages.
Sat 8th: Jitters, rt 10 on the Southington/Plainville line. $5 to get in; tips for us. Coffees/desserts available.
Sat/Sun 15+16: J performs in the Nutcracker over at avon old farms school. Email for details.
Next show after that is in april and then another in july.
We will be finishing up recording our next release (does anyone even care anyway?) in the next few days over at Shandyland Studios. ciao! happy whatever holiday you celebrate.
Flight of the Conchords follows the trials and tribulations of a two man, digi-folk band from New Zealand as they try to make a name for themselves in their adopted home of New York City. The band is made up of Bret McKenzie on guitar and vocals, and Jemaine Clement on guitar and vocals.
Bret and Jemaine have moved to New York in the hope of forging a successful music career. So far they've managed to find a manager (whose "other" job is at the New Zealand Consulate), one fan (a married obsessive) and one friend (who owns the local pawn shop) -- but not much else.
From Anonymous - I met Doug and the McGowans back in the early 60's. They were simply known as, "Dougie and the McGowan's" (I think) and would frequently play at the Hofbraus House in New Haven. I worked with Dougie during the day at Dale System - an investigative shopping service in New Haven. We would drive all over the state and Dougie would be in the back seat practicing his songs on his guitar. He was truly talented - he wrote "You Don't Know What You've Got (Until You Lose It)" which was sung by Ral Donner around 1961 and made the top 10. I have many wonderful memories of Dougie, Bobby, Frank and Dennis - The Fabulous Farguahr. Sadly Dennis and Frank are gone and not too long ago Jack, the older brother, passed away. May they all be resting in peace.
From Frank W. - Frank, Bobby, and Dennis McGowan were good friends (Bobby still is). I got to know them in the old car hobby. We were all partial to Packards from the mid Twenties to the mid Thirties. I also knew Jim Ricker (Buzzard) who was a regular member of the Farquahr. There was another McGowan brother, Jack, who would go with Frank, Bobby and Dennis to the huge old car flea market in Hershey, Pennsylvania, every October. Jack was not otherwise involved in the old cars and he wasn't involved in the band, either. I saw the Fabulous Farquahr perform once and I wish I had seen them more. They were very good and their repertoire was a wonderful mix of good old fashioned, well done folk music and hilarious original material, like "Motel Cloud Nine" which is one of my favorites. Frank gave me a CD of their "From The Top" album and my biggest regret is that I didn't get them to sign it. I think we all often assume our friends will be around forever. Now only Bobby is left. The last time I talked to Bobby he said just the day before he watched the buildings that housed their old car business bulldozed. It's the end of an era.
The tension is unbearable as we count down to The Next Great American Band, with an Australian host and judge. Go figure. So G-man and I tape it while watching the Celts continue their winning ways in Miami, and we can watch this thing in about a half-hour. Sad. Tonight.....Rod Stewart (lookin' mighty hot, at right) songs!
Right off the bat, we find that Dot Dot Dot will not be eliminated, to my great disappointment, but they deliver a solid effort of Stewart's Young Turks. Danny Ainge-lookalike Denver and his Mile High Orchestra, now called DMHO, follow with Baby Jane. I love that there is a big band in the competition and I'm trying to like these guys, but they haven't delivered anything special after all these weeks, despite trying to funk it up more and more. Sixwire, the most polished band of the bunch, knocks 'em dead with a rousing (annoying Johnny Goo Goo Doll said it was "muscular") Hot Legs. I mention to G that nobody has had the balls, as yet, to tackle Maggie May.
Down to three and I can't imagine the Clark Brothers not being next. You are correct, Sir. They are my favorite band, three amazing musicians who have consistently taken songs and made them completely their own. Their powerful, understated rendition of You're In My Heart leaves Sheila E so choked up she cannot comment for about two minutes. C'mon, Sheila, suck it UP! Finally, after wiping away the tears, she gushes, "It’s overwhelming what you guys bring here, and this was what my life was about, and that’s why I’m here, and I thank you.” The other judges love them, too. Dicko, in a most surprising moment, suggested that the Clark Brothers consider bringing in additional band members for the remainder of the competition! Seems quite unfair, and unnecessary. But no one else is watching this thing, so who cares?
Okay, who gets the shaft? Shouldn't be Tres Bien, the clever British Invasion band, but they are no match (in that sea of Middle America voters) against the cute kids from Light of Doom, who then do a servicable Infatuation. Alas, no Maggie May!
Next week, the music of Celine Dion! Just kidding, it's Queen. I wonder if we will be subjected to We Are the Champions or We Will Rock You or Bohemian Rhapsody? My bet is that the Clark Brothers will do a spectacular You Are My Best Friend. And I bet you just can't wait, can you! If they would just let the bands play originals from this point on, this show would be really worthwhile. - article
I caught The Sawtelles on public access cable (Cox PATV CH15) a couple weeks ago on The Ken Safety Show doing their Bike Paths Across America tour. Pretty funny concept and good music. Venues included Madison's Square Garden, the Hard Rock and the Dog Park, all located along Southington's Rails to Trails path.
I've been trying unsuccessfully to catch these local musicians (Peter/Julie Riccio) since seeing them at Meriden's Daffodil Festival two years ago. They appear at Cafe Nine on Saturday night (see concert flyer) as part of a tribute to the Byrds' classic Sweetheart of the Rodeo album. They will be "sawtelle-izing" Life In Prison.
Sarah was fantastic. Really very good. Ken and I sat at the bar, hoping/waiting for people to leave so there would be room to go downstairs. Finally, maybe 3 songs into her set, the door-girl found us upstairs at the bar and sold us tix. We gladly paid and went downstairs at 11:40pm. The lounge was crowded, but not too much, and I comfortably saddled up to the bar to order Guinnesses and Heinekens. Did not move much after that. Sarah was looking very beautiful, summer print dress, cut-off/frayed a few inches above the knee, that is her signature style...oh, and her music was great as well.
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