Friday, May 03, 2013

She's a very slow track out here today!...

Po' boys at Erin Rose
Damn rain.  It's raining as we awake, but the forecast says it will stop and tru dat by mid-morning.  The Pool Hall Studs are in a tizzy because the mud will muss up their footwear, so we venture over to Canal to get Barry some cheap sneakers.  EVERYONE is buying boots and other such stuff at all the stores on Canal.  Yep, it's going to be muddy out there today (Seinfeld episode).

Erin Rose over on Conti Street is our destination for lunch and it's a great one.  Fabulous po' boys are sold way in the back of this tiny, loud (manager says she wants some noise in the place, meaning someone better fire up the jukebox or else; we comply with a little Fats Domino and James Brown), very crowded bar.  We get our order and devour those bad boys.  Great call, Barry, good start.  Off to the Fairgrounds.

Our first stop is the Iguanas at Gentilly.  We love the Iguanas, have seen them many times here and at Cafe Nine in New Haven for some great shows.  We all agree that they sound good, but for some reason, they are not doing it for us today.  After a half hour, we're looking for something else.

Which brings us to Laura Bell Bundy.  Who?  Exactly.  Says here in the Jazz Fest app that she's been on Broadway and has a country album.  Okay, we're game.  She must be decent, being on the Acura Stage and all, so we make our way along the muddy track and enter along the right side for a listen.  Then we check our listings again.  WTF?  The music is a mixture of rap/pop-country stuff while the very hot/barely-clad Laura bumps and grinds for our viewing pleasure.  On one side of me, Mark is making noises like he's going to barf, while on the other, Barry thinks she's fantastic.  With all due respect to Barry's excellent taste in music, she really sucks!

To ask forgiveness for watching Laura, Mark and I slog over to the Gospel Tent to cleanse our music souls with Betty Winn & One A-Chord.  Feeling clean again, we dash over to catch up with Barry for The Mavericks.  As good as Patty Smith was on Thursday, these guys are even better!  There are like a dozen guys up there having fun, playing a kind of Tex-Mex, Los Lobos, Doug Sahm mix that is truly wonderful.  They seem to be having as great a time playing as we are listening!  They close with a never-ending version of their hit, All You Ever Do Is Bring Me Down (which Mark thinks would make a great wedding song).

Papa Grows Funk is next up at the Congo Square Stage.  Always solid.  I get a text from Mickey Rice that he's going to catch Papa tonight at the Howlin' Wolf.  I haven't met up with Mickey since I arrived, but maybe on Saturday at the Fest.  Back to Gentilly to catch longtime favorite, Marcia Ball, who has Joe Krown playing the Hammond B organ.  If you ever get a chance to see the Joe Krown Trio with Walter "Wolfman" Washington and Russell Batiste, take it!  To close out the day, I'm the only one who wants to see Willie Nelson (along with some Jimmy Cliff), the others opting for Maroon 5. Willie is in fine form, going non-stop from one hit to the next, while doing some mighty fine pickin'. Johnny Gumbo would have loved it.  Back through the mud to Congo Square just in time for The Harder They Come, The Harder They Fall and It's Gonna Be a Bright, Sun-Shiny Day.  Jimmy Cliff, with no remaining dreads, sounds in excellent form with a fine band and backup singers.

We meet up back at the Seahorse just outside the entrance, then walk a few blocks to try to catch a cab.  The cab drivers are forbidden to do this, they are required to get in line and take passengers in order.  We find a willing cabby who takes us and a young couple from Chicago, but he gets screwed as a cop pulls up and gives him a $300 fine.  Poor bastard.  Back to the hotel to catch the second half of the Celtics-Knicks over some pulled-pork nachos, which tasted much better than the game's outcome.  Good night.

"Her Mother was a mudder."
The fabulous Mavericks at the Acura Stage.

It's gonna be a bright, sun-shiny day -
Jimmy Cliff at the Congo Square Stage

Happy Piano Shirt Friday (R.I.P. Johnny Gumbo)!...

Jazz Fest tribute to all major personalities who have left us; still lookin' for the Gumbo tho'.

Wet Thursday, but Patti Smith saves it!...

Rise and shine!  Overcast with 60% chance for rain.  Of course, I am up several hours before my colleagues, so I sample the breakfast downstairs, then take a walk up Tchoupitoulas, over to Magazine (passing the former Polynesian Joe's, where Gumbo and I famously kicked the Pool Hall Studs' asses), then back into the Quarter, over to the walkway along the Mississippi River.  I'm wanting to get out early to the Fairgrounds to catch Mia Borders, Mark is half-agreeing, but with Anchor Barry's pace, it ain't happenin'.  While AB does whatever the hell he does to get himself going in the morning, Mark and I zip over to Canal to stock up on water and those cheap plastic rainsuits that look like body condoms (safe Fest).

FINALLY, we walk into the quarter.  It hints of rain.  We duck into Napolean's just before the skies open.  We settle in.  Yes, Bloody Mary, please.  Rain stops for a bit and we take a cab out to Toups' Meatery for lunch.  We get a sample plate; I follow that up with a great Cuban Sandwich.  Great call by Barry.

As we exit Toups', we see a bike pub crawl across the street, so we stop to see what's up.  Pool.  Darts.  It is after three when we finally arrive at the fairgrounds, where we purchase tickets for all four days.  First stop is the Lapniappe Stage in the Grandstand to sample Ingrid Lucia, then over to Gentilly for Theresa Andersson, a favorite who disappointingly seems to have lost a little on her fastball.  Mark thinks it is because she does not translate well to the larger stage.  Over to the Blues Tent where we meet up with the Mark/Lisa crowd.  The question is: Patti Smith or Widespread Panic to close?  I'm strongly in favor of PS and the PHS's agree.  Great call.  Patty kills it!  I rains like hell but no one cares as Patti gives us a fabulous show!
Shower.  Shave.  Dinner at Peche.  Nice

.
Former site of JK/Gumbo beatdown of the PHS
Early Thursday on the Mississipi
Great lunch at Toups' Meatery
Pool Hall Studs at darts.  Look out!
Piano Shirt Thursday?

Thursday, May 02, 2013

Arrival in Nola, Baby!...

MT faking that he's on cell
Quick, uneventful trip to Newark listening to Lil Band of Gold, Black Keys, Keb Mo, etc with fuel stop in White Plains with Mark Texeiera (told him to give our love to John/Susan).  Flight to Louis Armstrong Airport with a two hour layover in D.C., enough time to watch the Celts go down 11, but claw their way back to almost even as we re-board.  Landing in New Orleans - THE CELTS WIN!

Garland ready for us with beer/fried chicken for the trip into town.  Says he has not heard from Mark/Lisa from Jersey yet.  Too late to pick up discount Fest tickets at the Superdome, so we head straight for the hotel.  It's late.  Quick beers at Lucy's and Kangaroo Vic's.  A text from Mickey W saying he is over at Frenchmen's Street.  Can't do it, gotta crash.  Will catch up to him later in the week.

Thursday's lineup:
Acura Stage- Mia Borders/Johnny Sketch & the Dirty Notes/Dirty Dozen Brass Band/Widespread Panic
Gentilly Stage- Mercy Brothers,Salio from the Republic/Meschiya Lake & the Little Big Horns/Henry Butler & Friends/Theresa Andersson/Patti Smith
Blues Tent- J Monque'D Blues Band/Drink Small/Jumpin' Johnny Sansone/Pure Fe/Glen David Andrews/Vernel Bagneris presents
Fais Do-Do Stage- Balfa Toujours/Jeffery Broussard/Rosie Ledet/Geno Delafose/Pokey LaFarge/Lil Nathan

I'd love to get out early enough to catch Mia Borders at 12:30, but Barry is dragging.  We shall see, folks.

Monday, April 29, 2013

An option for Thursday night at Jazz Fest...


2nd Annual Nolafunk Jazzfest Series

Jojo Hermann and The New Orleans Suspects Present : Down on the Bayou IV: A Benefit for the New Orleans Musicians' Clinic // House Band -- The New Orleans Suspects with Bonerama Horns Also Performing: Dr. John, Jojo Hermann, Marcia Ball, Col. Bruce Hampton, John Gros, Harry Shearer, Christine Ohlman , Roosevelt Colier, Billy Iuso, Judy Owen, Rebirth Brass Band... more►

Thursday, May 02, 2013 9:00 PM CDT (8:00 PM Doors) - TICKETS
, New Orleans, LA
18 years and over

Show: 9 p.m. - 1 a.m. NO INTERMISSIONS
More guests to be announced each week.
100% of gross proceeds to benefit New Orleans Musicians' Clinic

Saturday, April 27, 2013

Meriden Daffodil Festival this weekend!...

As The Daffodil Festival Entertainment Coordinator, Bob DeRosa has signed on some top-notch entertainment for this year’s event. You can expect some of the best bands Connecticut has to offer. There will be continuous musical entertainment Saturday, April 27th and Sunday, April 28th on 3 stages located throughout the park. These are the band descriptions for you to check out!

The Sawtelles' record release set is at 12:15 on Saturday. Their spanking new effort is called MOD; go get it:

The Sawtelles performing Spin Cycle at the 2013 Meriden Daffodil Festival:


The Sawtelles closing their set at the 2013 Meriden Daffodil Festival with The Ghost of Johnny Cash:


Friday, April 26, 2013

The countdown to Jazz Fest begins!

Lunch yesterday at Anthony Jack's (great Shepard's Pie) with the Pool Hall Studs to plan out my ninth/their twentieth (ish) trip to the New Orleans Jazz & Heritage Festival.  Barry picked up the lunch, while Mark broke Johnny Gumbo's longstanding rule of never having to tip the barkeep when you dine at the bar.

Down to a threesome this year, Gumbo deceased and Peter passing on a return engagement.  That means one room, two beds, with Mark (the Big Me) sleeping on the couch.  Hey, it's better than that first year when I had to sleep on the floor!  We are back to the Staybridge this year after several years away (they bumped us a couple times), directly across from Mother's (since Gumbo's infamous boycott is over, we may get to grab a po' boy there, although Barry KEEPS reminding us that he's been barfing for the last week - thanks for the update!).  The familiar cast of characters will be there:  Mark/Lisa from Jersey, with friends Kenny/Kip from out West, and Bob M; the famous Shoe Ladies with their extended family entourage; Marshall and his sizable krewe; perhaps a Scarlett O'Hara sighting.

Mark (smoothly) to Freaky Pete Murano, Shorty's guitar player,  "You guys
were really great when we saw you in Fairfield...and your girlfriend is hot."
The music looks very promising for the Second Weekend  Especially interesting, as Mark keenly points out, is the changing of the guard as to who closes the big stage on the final day of Jazz Fest.  It has forever been the Neville Brothers at Acura (with the Radiators at Gentilly), but this year Trombone Shorty steps up to become The Man!  Interestingly, Aaron Neville will be closing Gentilly with his latest project, which covers old doo wop songs from the 50s/early 60s.  I might just sample that!:
Thursday, May 2 
Friday, May 3
Saturday, May 4
Sunday, May 5



R.I.P. George Jones


Mark's impression/tribute to George Jones:

Monday, April 22, 2013

R.I.P. Richie Havens...

Sad to hear of the passing of Woodstock legend Richie Havens.  The Reet and I saw him at Wesleyan University (dining hall, I think) with Jan/Chris D in the early 70's.  Wonderful live performer.




Saturday, April 20, 2013

Saturday is RECORD STORE DAY!...

We are meeting friends at  Mohegan Sun for dinner, so I'm meeting Chris D in New London at The Telegraph in New London to check out some of their in-store performances (see listing below):

The Telegraph, 19 Golden St., New London  Click here for more info
10 a.m. – 10 p.m.

Telegraph Records is open from 10 a.m. to 10 p.m. with live music all day.
2pm: Sam Perduta (of Elison Jackson)
3pm: Goodnight Blue Moon
4pm: Isaac Young Duo
5pm: John Fries & Corina Malbaurn
6pm: Sidewalk Dave
7pm: Horns of Ormus
8pm: Fatal Film
9pm: Bedroom Rehab Corporation


Listing of Record Store Day's activities.
Goodnight Blue Moon
 
Isaac Young Duo

Thursday, April 18, 2013

Thursday morning trail mix...

Watch Out (Roy Eldridge) Uptown
Smoke Dreams (k.d. lang) Drag
Essence (Lucinda Williams) Essence
You Turn Slick On Me (Howlin' Wolf) The Back Door Wolf
Diddy Wah Diddy (Taj Mahal) Maestro
Am I Wrong? (Keb' Mo') Martin Scorsese Presents the Blues
Smile (The Jayhawks) Smile
Dead Sea (The Lumineers) The Lumineers
After You've Gone (Hugh Laurie w/ Dr. John) Let Them Talk
So Many Rivers to Cross (Maria Muldaur) Louisiana Love Call
The Piano Has Been Drinking (Tom Waits) Invitation To the Blues
You Really Got Me (Ray Davies) See Me Friends
As Long As I'm In Your Arms (Dinah Washington) Dinah Washington: Eight Albums
The Decent of Luna Rose (Laura Nyro) Walk the Dog & Light the Light


Tuesday, April 16, 2013

Tax season has expired; time to get ready for Jazz Fest 2013!...

Got a text from Keith inquiring about possible Summer concerts, not keen over what he sees coming up at the Calvin or Iron Horse up in Northampton.  Okay, let's see what we can find.

I'll stretch this by including Spring, starting with next weekend's Meriden Daffodil Festival.  Lots of good local music, no longer bringing in washed up oldies acts (I'm looking at you, The Turtles aka Flo & Eddie and Chuck Berry, but not Eric Burdon, 'cause I love Eric Burdon). The lineup includes Plantsville's own (and Johnnykmusic favorite) The Sawtelles performing on Saturday from 12:15-1:00 PM at the Jeff Crooms Welcome Stage.

The inaugural Summer Concerts at Simsbury Meadows has two OUTSTANDING offerings:
  • Jun 22 (Sat)- Harry Connick
  • Jul 16 (Tue)- Rodney Crowell and Emmylou Harris

Cafe Nine, as you faithfuls know, is one of my favorite places to enjoy music.  Small, quirky, just seedy enough.  Oh, and wonderful music.  Only thing is, you need to wait for it, because show time is generally around ten or later.  I was going to catch Jonathan Edwards this Thursday night, but he has cancelled.  So, who's coming up?
Infinity Hall, Norfolk, haven't been there, but keep hearing it is a fantastic venue.  Recently, they announced plans to open a sister venue in Hartford :
  • May 16 (Thu)- Asleep At the Wheel (these guys are great)
  • Jun 1 (Sat)- Toots & the Maytals
  • Jun 29 (Sat)- Big Al Anderson
Bridge Street Live, Collinsville:
NYC
  • May 17 (Fri)- Town Hall - Bettye LaVette & the Blind Boys of Alabama 
  • Jun 3/10/17 (Mon)- Joe's Pub - Diane Birch
  • Jun 5 (Wed)- Celebrate Brooklyn (Prospect Park) - Patty Griffin 
  • Jun 5 (Wed)- City Winery - Dave Alvin w/ Sarah Borges

And another one bites the dust...

The Record Store Day After:  New York's Iconic Bleecker Bob's Closes

Downtown New York City's Bleecker Bob’s Golden Oldies Record Shop closed on Saturday, April 13 -- just one week shy of Record Store Day. I didn’t get there before its unceremonious final hours, but I did stop by on Sunday, and, with the door unlocked, there was plenty of activity.  "Are you open?," I asked the guy inside.

“No, we closed yesterday," he said. "But if you want to come in and browse and buy something you can. I’m just busy taking care of things.”  As I examined the depleted bins of plasticware, a slow trickle of middle-aged men came into the dilapidated store asking the same thing, and getting the same answer.
Bob's "cleaner," as it were, is Chris Wiedner, and he helped every person who walked in while struggling to tie up a multitude of loose ends and take care of his own personal business. Chris, along with John DeSalvo, JK Kitzer and a small cadre of others, have kept Bleecker Bob’s going since namesake Bleecker Bob Plotnik suffered a crippling aneurysm in 2001. Bleecker Bob and friend Broadway Al first opened Village Oldies Records in late 1967. They moved a few years later and then again, and by that third time, Broadway Al and Bleecker Bob had parted ways and Bleecker Bob’s could be found in Greenwich Village on West 3rd Street between MacDougal and Sixth Avenue.  (read more)

Saturday, April 13, 2013

What do you mean you haven't heard them yet!...

Clairy Browne & the Bangin' Rackettes recently completed their U.S. tour at San Francisco's Troubadour


Encore of show at The Mint - here

Sunday, April 07, 2013

Layin' around the shanty, Mama?...

Jonathan Edwards will be appearing on Thursday, April 18th at the Shaboo Inn in Willimantic.....  Oh, wait,  time warp.  Will be at Cafe Nine in New Haven.  Yeah, it's a work night, but it's after tax season, so you can do it!  Anyone in?


Tuesday, March 26, 2013

The Jazz Fest cubes are out!...


We've known the lineup for a couple weeks now, but things really come to life when we see the cubes.  Let the planning begin!

First weekend:
Friday, April 26
Saturday, April 27
Sunday, April 28

Second weekend:
Thursday, May 2
Friday, May 3
Saturday, May 4
Sunday, May 5


Friday, March 22, 2013

Five songs for Friday...

Over Time (Lucinda Williams) World Without Tears
I'm a Fool to Care (Doug Sahm) Last Real Texas Blues Band
Cathy's Clown (Everly Brothers) Golden Hits
Stuck Between Stations (The Hold Steady) Boys & Girls in America
My Girlfriend Is a Waitress (The Iguanas) Nuevo Boogaloo

Wednesday, March 20, 2013

I want a Sunday kind of love...

Fran Warren, the singer and actress whose 1947 recording of "A Sunday Kind of Love" is remembered as a classic of the Big Band era, has passed away at the age of 87.  Warren was an all-rounder -- a nightclub performer, recording artist and actor whose career spanned more than 50 years.  Early in her career, she signed as a solo artist with RCA Victor and scored chart hits with the Tony Martin duet “I Said My Pajamas (and Put On My Prayers)” and “Dearie” with Lisa Kirk. She then moved to MGM Records, charting with “It’s Anybody’s Heart.”

Born Frances Wolfe in the Bronx, NY on March 4, 1926, she began singing while still in her teens, performing at local clubs and dancing in the chorus line at the Roxy Theater. She auditioned for Duke Ellington when she was 16. Although didn’t land the job, she soon became vocalist for the bands of Randy Brooks, Art Mooney and Billy Eckstine. It was Eckstine who changed her name to “Fran Warren.” (More)

Below is Fran Warren's version.  Johnny K also recommends (the obvious) Etta James and (the obscure) Ben Sidran.  Enjoy.

Thursday, March 14, 2013

Truckers in Northampton...

Bud Light 12 Pack

The crushed carton, blue cardboard,
Lies on the centerline of Saddle Hill Road
Like a discarded ticket to an evening of abandonment,
Reminding resentful morning drivers
Of last night’s prime event,
A party on wheels,
A dozen beers distributed on an as-needed basis
To the pilot and the shotgun co-pilot
And Pat Mac, the dispenser of the night’s provisions,
Sprawled across the back seat,
As they cruise in Pimo’s Altima,
Empty cans tossed at mailbox targets
Like carnival beanbags,
Points awarded for the ping of aluminum
Nailing stodgy suburban letterboxes
Mounted on stiff wooden posts,
Mailboxes that,
If Pat Mac had scored a full case,
Would be the victim of his swinging
Baseball bat at 45 mph,
Pat’s box-batting average lower
Than the waistline of his Carharrts.

Four beers a head is lightweight,
No shit.

But their arc is fueled not by the beer,
But but by the insistent growth above the upper lip
Like a crocus breaking spring earth,
It’s the driver’s license, photo noting
The owner’s absolute indifference,
It’s the electrical current thrumming in the belly,
An echo of the beat
Pounding from rear speakers,
Peaking in a tire-squeal
As an emptied carton tumbles from the rear window,
Settling onto the road, hugging the asphalt,
Flattened by Pima’s final fly-by,
The finishing stamp on the Saturday night passport.

(Chris DuBose)

Wednesday, March 13, 2013

People everywhere just got to be free...

I love the Young Rascals!

NEW YORK (AP) -- Do you remember your first live concert? Steven Van Zandt certainly does, almost 50 years ago.It was 1965, and he was at a skating rink in Keyport, N.J. Headlining that night: The Young Rascals, who were promoting their hit "Good Lovin'." The price was $2.50."I'll never forget it. It was the most exciting night ever," says Van Zandt, the guitarist for Bruce Springsteen & the E Street Band. "They were phenomenal live, really quite different than anybody else. And very, very influential to this day.  Making that night even more special? A young Bruce Springsteen was also there. The two New Jersey natives would meet soon after and bond over the classic American blue-eyed soul band.Forty-eight years later, Van Zandt has found a way to repay The Rascals by taking the original four-man band to their biggest and most unlikely stage — on Broadway.The reunited band will play 15 performances at the Richard Rodgers Theatre beginning next month (performances start April 15), a show combining live performance, video reenactments, archival concert and news footage, op-art backdrops and psychedelic lighting. (Read More)


Monday, March 11, 2013

I love Patty Griffin and Robert Plant (but did not know they were an item)...



Robert Plant and Patty Griffin
Rick Diamond, Getty Images
Robert Plant Sings Three Songs on Patty Griffin’s New Album
(Utlimateclassicrock.com) - Robert Plant joins singing — but definitely, definitely not married — partner Patty Griffin for three songs on her forthcoming solo album ‘American Kid,’ continuing a collaboration that began with 2010′s well-received ‘Band of Joy.’  The duo gave a preview of their new work last December, performing “Ohio” and “Gonna Miss You When You’re Gone” — a pair of tracks now scheduled for inclusion on ‘American Kid’ — during a joint appearance at a benefit show in Austin.  Griffin’s newest album, her seventh, was produced by Craig Ross — perhaps best known for his guitar work with Lisa Germano, 1980s-era violinist with John Mellencamp. Ross also helmed Griffin’s 2004 album ‘Impossible Dream.’ Recorded in Memphis, ‘American Kid’ is due on May 7 via New West.  Plant said in published reports last year that he had eloped to Texas with Griffin, but that quote was later denied by his representatives. Whatever their living arrangements, they remain one busy couple: Plant and Griffin toured in the summer of 2012 with a group called the Sensational Shape Shifters, and have already announced a new Band of Joy album for later in 2013, as well.



Friday, March 08, 2013

Goin' Home- Ten Years After guitar god Alvin Lee passes at 68

Alvin Lee Goes Home - And His Toussaint Connection (by Brett Milano, Offbeat.com)

Lee’s band, Ten Years After, came in on the British blues wave that brought us Cream, Led Zeppelin, the original Fleetwood Mac and the Yardbirds. Like those bands, Ten Years After were raw onstage and experimental in the studio, and TYA’s studio albums were more psychedelicized than most. Sure, some of it’s dated—especially the lyrics, which were never his strong suit—but a track like “No Title,” from Stonedhenge, showed how imaginative blues-rock could get. The eight-minute song’s structure—beginning as near silence, with instruments being added until it turns to a harsh electronic wail—isn’t far from the studio art that the likes of Brian Eno would popularize later on. (That track isn’t on the web, but here’s the album’s finale Speed Kills,” and listen through to its surprise ending). (Read more)

From Alvinlee.com:
“With great sadness we have to announce that Alvin unexpectedly passed away early this morning after unforeseen complications following a routine surgical procedure.“We have lost a wonderful much loved father and companion, the world has lost a truly great and gifted musician.” Lee and Leo Lyons founded Ten Years After in 1966.  The band’s appearance at Woodstock was one of the highlights of the 1969 festival as well as the resulting film documentary.


Thursday, March 07, 2013

Thirsty Thursday...

Ryan Boatright sure sucks without Napier.  Saturday finale could also be ugly v Providence Friars.  Four game losing streak to end the season makes KO's story less feel-good.  No better for the QU Bobcats, who blew a nine-point lead to LIU-Brooklyn (with Spike Lee courtside) in second half in Northeasy Conference quarters.  Season over.

Drive-By Truckers at Toad's Place in New Haven tonight.  What is the deal with great shows and snowstorms?

Friday, March 01, 2013

Finally coming to the US of A...

I, as well as many, discovered this band via their appearance in last year's Heineken commercial, so I bought the album (had to pay an extra $20 to ship from Australia).  Love their retro 60's soul/girl group sound, previously mined by the likes of Amy Winehouse, Sharon Jones, Adele, etc., but with a healthy dollop of camp.  Now they are finally coming to the States, so heads up NYC (Mercury Lounge on March 26th) and Beantown (TT the Bears Place on March 27th).

Having only played in N.Y.C. and L.A. before, this will be our first time going to most of the cities listed below and we can’t wait to play all over your fine country! Beginning with a string of performances at this year’s SXSW festival and followed by a cross-country tour kicking off in Dallas, TX at the House of Blues on March 18th.  Additional dates include March 22nd at Smith’s Olde Bar in Atlanta; March 26th at the ­ Mercury Lounge in New York; March 30th at the Bottom Lounge in Chicago and April 9th at The Troubadour in Los Angeles.

See full tour dates below.

SXSW
Thursday March 14th ­ SXSW Showcase @ Javelina, Austin TX (11pm)
Saturday March 16th
­ The Aussie BBQ @ Maggie Mae¹s, Austin TX (4pm)
Saturday March 16th
­ SXSW Showcase @ The Iron Bear, Austin TX (1am)

US TOUR
March 18th ­     House Of Blues Cambridge Room    Dallas, TX
March 19th ­     House Of Blues Bronze Peacock      Houston, TX
March 20th ­     Varsity Theatre,                                 Baton Rouge, LA
March 21st ­     Soul Kitchen                                       Mobile, AL
March 22nd ­    Smith¹s Olde Bar                                Atlanta, GA
March 23rd ­     Zydeco                                               Birmingham, AL
March 25th ­     Rock and Roll Hotel                           Washington, DC
March 26th ­     Mercury Lounge                                 New York, NY
March 27th ­     TT the Bears Place                            Boston, MA
March 28th ­     North Star Bar                                    Philadelphia, PA
March 30th ­     Bottom Lounge                                   Chicago, IL
March 31st ­     Mill City Nights/The Nether Bar           Minneapolis, MN
April 2nd ­         Larimer Lounge                                  Denver, CO
April 4-6th ­       Cosmopolitan Chandelier Bar             Las Vegas, NV
April 8th ­          Crescent Ballroom                              Phoenix, AZ
April 9th ­          Troubadour                                         West Hollywood, CA
April 10th ­        The Casbah                                        San Diego, CA
April 12th ­        Rickshaw                                           San Francisco, CA
 


Sunday, February 24, 2013

2013 Meriden Daffodil Festival lineup announced - The Sawtelles are back!...

(scribblers.us)   For many people, the Meriden Daffodil Festival is simply a great spring festival, one of the outdoor fried-dough and touring-carnival extravaganzas held in glorious springtime in a lush city park.
But for the Connecticut local music community, it’s much more than that.  This growth from the city park affair to unparalleled local band showcase is due largely to one man, Rob DeRosa, and a horde of Daffodil volunteers. DeRosa spends months every year investigating new talent, keeping in touch with established acts, and creating a balanced two-day schedule of bands loud, soft, rocky, folky, melodic, raw, tribute-oriented, and excessively original.

According to DeRosa, exactly half of the 36 bands booked this year are new to the festival. Some are brand new acts; others (such as the nationally known Poor Old Shine) are well-established, but have just never made it out to Meriden before this. The others are reliable and popular acts who’ve rocked the Daffodil on other occasions, some of them numerous times. But just because those bands are have played before doesn’t mean they’re safe selections. I don’t think you can look at a list that has The Peacock Flounders, Mold Monkies, The Sawtelles and the great Mark Mulcahy on it and call it common festival fare. (Read more.)

Friday, February 22, 2013

Garrett home for the weekend - bringing new music...

Junky Star (Ryan Bingham & the Dead Horses)
Deer Creek Canyon (Sera Cahoone)
O' Be Joyful (Shovels and Rope)  Saw them open for Justin Townes Earle at the Iron Horse in Northampton
Chain Letters (Big Harp)

Get Up! (Ben Harper with Charlie Musselwhite)


Wednesday, February 20, 2013

Valentine's Day with Chris DuBose at Johnny D's...

(Chris DuBose is presently retired from teaching English and coaching hoops, which allows him to roam the Northeast attending Crimson hoops, visiting offspring and sampling music events. He offers his Valentine's Day experience at Johnny D's in Somerville.)


Kelly Willis and Bruce Robison played Johnny D’s on Valentine’s Day to an audience that enjoyed their valentine gift: harmonies and rockabilly both. Robison, his head barely fitting under the low ceiling, took the lead in the driving (“truckin’ “) songs he loves, while Willis told of abandoned love and lovers in the her songs. They produced a romantic sound from a married couple who, for the first time, after lengthy solo careers, are working together, having produced their first duo album, now supporting that release with a national tour. They offer a solid, seasoned C & W sound comprised of their own guitars, a stand-up bass, a lap-steel, and an unobtrusive drum set. Robison’s voice is the stronger of the two, whether he is taking the lead or supporting his wife with his easy harmonies. This tour will finally bring attention to the under-appreciated careers of these Texans who have learned that they might just be better together than separate, a realization that most married couples make eventually.

I am also attaching a poem that I wrote, inspired by the show. Just a little artistic expression. I think the poem builds nicely.

Sharing

The slim singer gently approaches the front of the stage
Her guitar strap riding lightly on her left shoulder
Her squinting eyes probing the darkened tables of Johnny D’s,
Settling in when she reaches the bridge to those tables,
The register of nuance and ache in her voice,
Mounted on its slender stick of light steel

The microphone.

Seated at those tables, finishing their jambalaya and burgers,
Their heads rising from their plates,
Couples and friends anticipate her nuanced sound,
Ears attuned to the speakers mounted in the club’s corners,
Speakers wizened and stained with age and neglect.

And then the first note, a probing Aminor
Tempered by her husband’s delayed, complementary D,
The two voices dancing together in a breath-taking ballet
That chases away the patrons’ thoughts of the mundane,
Replacing them with an eager anticipation of an emotion
That transcends both the sound system and the club,
An emotion that resonates with a truth
Unrealized by the diners
Until they they hear it,
A truth implied in cadence and intonation and volume,
An ineffable truth
Offered as a gift to her fawning audience
As she leans in to the mike tenderly
Her lips open, straining,
In a gesture and a passion like
A lover’s kiss.

Monday, February 18, 2013

Gussy P takes Johnny K to task...

Former Westie Punks lead vocalist/bassist/songwriter/defensive stopper Gussy P dropped an email response to Johnny K's recent postings:

I'm a little disappointed that you made no mention of the death of DC5 bassist Rick Huxley. They had their run in the mid 60's with their 2 min & 25 sec hits, and the late Mike Smith had one of the best R&R voices of all time (my opinion). But, like my Giants (couldn't beat LA or StL, depending on the year), they were 2nd bananas. Now that I don't follow baseball, the Giants win 2 of the last 3. Unfortunately, no DC5 members have come back to life.

Johnny K reply:
Gus, I was glad all over to see the latest of your always-informative musings about sports, music and the human spirit.  In my defense, the music reference points of our earlier days are dropping like flies!  I'm having trouble keeping up (not to mention yesterday's news about Roger Clemen's underage country songbird- why did she have to shoot the damn dog?).  And now Tony Sheridan goes down at 72.  By the way, what about those persistent rumors of a Westies Punks reunion tour?

Sunday, February 17, 2013

Alabama Shakes on SNL...

(johnnykmusic has been touting these guys for quite some time, but now the secret is OUT!)

About 37 minutes into the Feb. 16 episode of "Saturday Night Live," host Christopher Waltz extended an arm and announced, "Ladies and gentleman, Alabama Shakes." With that, the Shakes eased into their best (and best-known) song, "Hold On." The Athens-based band performed the soul-tinged rocker at a slower pace than the version appearing on their 2012 debut album "Boys & Girls." Singer Brittany Howard's vocals early in the song were subdued, but this only made her sanctified howls during the choruses seem even more juiced.

Howard's grunge-blues rhythm guitar playing, executed on a green Gibson, was high in the mix. Lead guitarist Heath Fogg's throwback-R&B fills were barely audible, but "SNL" music performances are notorious for being frequently plagued by lackluster sound.  Shakes drummer Steve Johnson shifted the song's dynamics expertly, grooving mellow with bearded bassist Zac Cockrell on the verses, and bashing his kit with no mercy during choruses to match Howard's chicken-fried hosannas. Touring keyboardist Ben Tanner added Hammond organ filigree. (Read more)

Tour dates - JR, you'd better note March 3rd at the Paramount Theatre in Seattle!



Saturday, February 16, 2013

R.I.P. Shadow Morton...

George “Shadow” Morton (right) – Michael Ochs Archives
(ultimateclassicrock.com)- George “Shadow” Morton, the visionary Brill Building songwriter and producer who also worked with rock artists including Iron Butterfly and Vanilla Fudge, has died at age 72. As of press time, the cause of death has not been disclosed.  Along with Phil Spector, with whose work his is often compared and confused, Morton is best remembered for helping popularize girl groups in the ’60s. He is most closely associated with the Shangri-Las, whom he discovered and helped fashion their biggest hits, ‘Remember (Walking In The Sand),’ ‘Leader of the Pack’ and ‘Give Him a Great Big Kiss.’

As a staff producer for Jerry Leiber and Mike Stoller’s Red Bird Records, Morton’s songs for the Shangri-Las came to life in the studio. He took advantage of the latest technology and often added orchestration and sound effects, most famously the motorcycles on ‘Leader of the Pack,’ which hit No.1 in 1964, to create a new sub-genre of pop: the teen melodrama.  Following the demise of Red Bird, Morton went on to discover and produce singer-songwriter Janis Ian and the Vanilla Fudge, including their debut, which featured their hit psychedelicized take on the Supremes’ ‘You Keep Me Hanging On.’ In 1974, he produced ‘Too Much Too Soon,’ the second album by proto-punks New York Dolls.  A native of Hicksville, N.Y., Morton was a childhood friend of Ellie Greenwich, who, along with her future husband Jeff Barry (the three are pictured above, with Morton on the right), wrote dozens of pop classics throughout the 1960s. He was inducted into the Long Island Music Hall of Fame in 2006.





Tuesday, February 12, 2013

Happy Fat Tuesday!...

Oh, and who is the #1 hockey team in the country?

Bought the new Ben Harper/Charlie Musselwhite album.

Friday, February 08, 2013

Who is going?...


What, no T & A at the Grammys?...

US television network CBS has warned stars attending the Grammys music awards show at the weekend not to reveal too much skin, including breasts, buttocks - or the dreaded "buttock crack".  In an email leaked to media outlets including celebrity news website TMZ, the television giant also warned of "puffy" bare skin exposure around the genital region.  "Please be sure that buttocks and female breasts are adequately covered," stated the letter from CBS's Standards and Practices department to representatives of stars due to take the stage in Los Angeles on Sunday.  "Thong-type costumes are problematic. Please avoid exposing bare flesh under curves of the buttocks and buttock crack. "Bare sides or under curvature of the breasts is also problematic.  "Please avoid sheer see-through clothing that could possibly expose female breast nipples.
"Please be sure the genital region is adequately covered so that there is no visible 'puffy' bare skin exposure.
(read more)

Record Of The Year

  • Lonely Boy - The Black Keys
  • Stronger (What Doesn't Kill You) - Kelly Clarkson
  • We Are Young - Fun. Featuring Janelle Monáe
  • Somebody That I Used To Know - Gotye Featuring Kimbra
  • Thinkin Bout You - Frank Ocean
  • We Are Never Ever Getting Back Together - Taylor Swift

Album Of The Year

  • El Camino - The Black Keys
  • Some Nights - Fun.
  • Babel - Mumford & Sons
  • Channel Orange - Frank Ocean
  • Blunderbuss - Jack White

Song Of The Year

  • The A Team - Ed Sheeran, songwriter (Ed Sheeran)
  • Adorn - Miguel Pimentel, songwriter (Miguel)
  • Call Me Maybe - Tavish Crowe, Carly Rae Jepsen & Josh Ramsay, songwriters (Carly Rae Jepsen)
  • Stronger (What Doesn't Kill You) - Jörgen Elofsson, David Gamson, Greg Kurstin & Ali Tamposi, songwriters (Kelly Clarkson)
  • We Are Young - Jack Antonoff, Jeff Bhasker, Andrew Dost & Nate Ruess, songwriters (Fun. Featuring Janelle Monáe)

Best New Artist

  • Alabama Shakes
  • Fun.
  • Hunter Hayes
  • The Lumineers
  • Frank Ocean

Wednesday, February 06, 2013

WSJ article recommended by PHS Marky G (yes, he DOES read!)...


Arhoolie Records founder Chris Strachwitz (left) with Ry Cooder.
Only a handful of American roots-music recording labels have lasted decades. And in the whole arena's welcome evolution—away from a pre-1960s emphasis on highbrow folkloric preservation and from a related preference for decorous music strikingly lacking in rhythm, wit and sex—no label has made more of a difference than Arhoolie Records of El Cerrito, Calif. The little Bay Area label established in 1960 would find, record and spotlight such working, stomping artists as Fred McDowell in the blues, Clifton Chenier in zydeco, BeauSoleil and the Doucet family in cajun, the Campbell Brothers in sacred steel, and Flaco Jiménez in Tex-Mex Tejano, while bringing to the fore older, legacy acts, live or from recorded archives, in the same muscular, zestful mode—the Maddox Brothers and Rose, the Hackberry Ramblers, Mainer's Mountaineers, Big Mama Thornton, Lightnin' Hopkins, Lydia Mendoza. The range and focus on underexplored musical flavors were groundbreaking.

Arhoolie (the word refers to shouting-out-loud field hollers), the child of Chris Strachwitz, a music-struck German émigré, celebrated its 50-plus years last February in a three-day celebration that featured concerts at San Francisco's Freight & Salvage. Those shows are now on "They All Played for Us," a lavish 4-CD set with a hardbound book of commentary and colorful photography, released by the label last month. Arhoolie veterans are joined by such admiring, label-influenced roots-music stars as Ry Cooder, Taj Mahal and Peter Rowan on some 70 exuberant tracks. (read more)

Tuesday, February 05, 2013

Hey, get out to see THE SAWTELLES...

the sawtelles hi folks.  the next few weeks have some new venues for us to play at starting with SUN FEB 10th @ the Hartford Public Library's Indie Pop Music Series 1:30pm.  free and all ages with their long-running sunday jazz series right after us.

http://www.hplct.org/  click on View Events and then on the calendar date this info will come up

Indie Pop Series every second Sunday December- April 1:30 p.m.
Feb. 10- The Sawtelles (rescheduled to 2/17)
March 10-Lys Guillorn
April 14-Lesa Bezo

FRI FEB 22nd @ the Marlborough Arts Center  7:30p byob   
SAT FEB 23rd:  @ Javapalooza main st m'town 7:30-9:30p
FRI MAR 1st
:  @ Typhoon Thai main st m'town 6p byob
FRI MAR 8th: @ the fairfield U bookstore cafe  
TUE MAR 19th: @ Klekolo World Coffee, Court St M'town 7p

ciao  www.thesawtelles.com

You made everything groovy...

Reg Presley, the lead singer of 1960s British rock band The Troggs, who scored a hit with the love anthem "Wild Thing," was reported to have died at his home in England on Monday after a battle with cancer. He was 71.  The Troggs catapulted onto the rock'n'roll scene with "Wild Thing" in 1966, making them one of Britain's most successful garage rock acts of the era.  "Wild Thing," which was written by American songwriter Chip Taylor, topped the charts in the United States and reached No. 2 in Britain.  Presley penned hits "With a Girl Like You" in 1966 and the band's final big hit, "Love Is All Around," in 1967. (Read More)


The Troggs were an English rock band from the 1960s that had a number of hits in the UK and the US. Their most famous songs include the Hot 100 chart topper 'Wild Thing', 'With a Girl Like You', and 'Love Is All Around'. 'Wild Thing' is ranked #257 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time and was an influence on garage rock and punk rock.  Fronted by Reg Presley, the Troggs were from the town of Andover in southern England and were originally called the Troglodytes. (Wikipedia)



Monday, February 04, 2013

A Groundhog Day with the Night Tripper...

JR is a good friend of Johnnykmusic as well as a close confidant of the late, sometimes-great Johnny Gumbo.  He pens his exclusive report after seeing Dr. John last Saturday night way up in the Great Northleft:

The Doctor was in Saturday night at Jazz Alley in downtown Seattle. Jazz Alley is a great venue, a throw back to the classic dinner clubs that is just the right size so you don't feel crunched in and yet you're close enough for interaction with the performers. We always enjoy ourselves there (saw Lee Ritenour in December, Tower of Power next month and Chick Corea in May). And the food ain't bad.
Mac was in his usual voodoo form...funky & mysterious. Ran through a lot of his standards (Iko Iko, Right Place, Wrong Time, Monkey Puzzle &  Mos' Scocious) and then a lot from the new album Locked Down that included a tune that Mac went back to his roots on lead quitar. I must say the Doctor is startin' to show his age although he will probably out live me and already has outlasted the late, great Johnny Gumbo. The voice isn't quite as crisp, he's got the old man shuffle, and the back is a little bent over but he's still "The Nite Tripper" in all his regalia. 

Now that he's split with the Lower 911, his "All New Band" is pickin' up the slack...Buddy Floyd on organ, Joel Jackson on guitar, Dwight Basley on bass, and Reggie Jackson (no not him) on drums. The star, however, is Sarah Morrow left over from the Lower 911 on a very hot and bluesy trombone. She can really get it goin and is the current band director. She and the Doctor sync well together. I don't think the "All New Band" has quite the charisma and group soul that the Lower 911 had but maybe the Doctor just wanted a younger group of guys backin him up. And maybe it was just the laid back Seattle crowd (home to Amazon, Starbucks, Microsoft and Costco) that seemed to enjoy themselves but never really let go (like being at the end of a hot day drinkin beer at JazzFest!!). And he says he wants to do new things...whatever that means. I guess that's how you hang in there in the music business. Just keep re-inventing yourself.

Anyway, we enjoyed ourselves and it was good to come home again to that wonderful NOLA R&B.

JR